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Lecture on Morocco and Matisse Today in Fez

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Morocco and Islamic art had a profound impact on the artist Matisse, and changed the development of modern art. Find out how on Monday June 17 at 6.30 PM in this inspiring lecture by Professor Michael Barry from Princeton University

Microsoft Word - Matisse talk poster.docx


The artist Matisse’s exposure to Persian miniatures and Morocco had a revolutionary effect on his work and the development of modern art. Professor Barry will talk about Matisse’s experience of these; the meaning and Islamic context of the 15th and 16th century Persian miniatures, and cross-cultural borrowing.

Michael Barry is a Princeton University professor and historian of the greater Middle East and Islamic world. Since 2004 he has taught as Lecturer in Islamic Culture in Princeton's Department of Near Eastern Studies, and also served as consultative chairman of the Department of Islamic Art at the Metropolitan Museum of Art (2005-2009) and special consultant to the Aga Khan Trust for Culture since 2009. He is an established authority on Islamic art and the history and culture of Afghanistan, on which he has written extensively.

When: Monday June 17 at 6.30 PM
Where: ALC/ALIF Annex Auditorium, across from the American Center (ask the security guards at the American Center)


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Women's Rights and the Arab Spring Conference in Fez

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The international conference on International Forum: Mediterranean Women's Rights in the Aftermath of the ‘Arab Uprisings’ got off to a great start at the Palais Des Congres in Fez this morning. 


In front of a packed auditorium, Valentine Moghadam, Director of the Program of International Affairs at the Northeastern University in Boston set the tone with a keynote address; Revolutions, Democratic Transitions, and Women’s Rights: The Arab Spring in Comparative Perspective. 

Unlike some recent events in Fez, the simultaneous translations worked perfectly and made Moghadam's speech available to non-English speaking members of the audience.

Valentine Moghadam

The address included fascinating comparisons between the gender outcomes of democratisation in various parts of the world. The countries where positive outcomes had resulted, such as Argentina, Brazil, Chile, The Phillipines, South Africa and Northern Ireland, were compared with the less egalitarian outcomes in Eastern Europe and Russia.

Valentine Moghadam reserved judgment on countries such as Indonesia and Turkey where, as she put it, "the case is still to be made".

The factors predicting or explaining gender outcomes, Moghadam pointed out, included the status of women and their legal situation under the previous undemocratic regimes, the number and mobility of women's groups and the nature of the transition. She noted that slow transitions to democracy tend to produce better outcomes than swift ones.

Advances in gender equality where also effected by external factors such as wars and invasions on the negative side and attention from international women's organisations on the positive side.

Valentine Moghadam rounded out her address with some key goals for a new social and economic contract for women. These included among others, paid maternity leave, subsidised childcare, the right to inheritance equality, unemployment benefits, freedom from sexual harassment in the workplace and the right to obtain a passport and travel without needing permission from a husband or relative.

Fatima Sadiqi (left) and Valentine Moghadam

Congratulations to Fatima Sadiqi and her committee for organising this important conference and, if the first day is anything to go by it will be a fascinating and worthwhile event.

The conference aim is to encourage projects that promote partnerships by pooling resources to solve common or specific problems found in the Mediterranean region.

The countries that will be represented at the Forum are Algeria, Tunisia, Libya, Mauritania, Egypt, Lebanon, Yemen, Palestine, Jordan, Turkey, Iran, France, Belgium, Italy, the Netherlands, Canada, the United States of America, and Morocco.

The feminist movement in the Mediterranean has become increasingly effective in attracting widespread support, as this conference demonstrates.

According to organizers, the women of the Mediterranean combine expertise and knowledge specific to the ancestral values ​​of family, community and social cohesion in an ever changing world. They point out that women's rights in the southern Mediterranean have experienced in recent decades, a significant improvement although with ups and downs.

The conference continues until June 23rd. Entry is free.

For more information please contact: Contact: Prof. Dr. Fatima Sadiqi (ISIS), Academic Director sadiqi_fatima@yahoo.fr

To read the full programme and all the details: CLICK HERE

Text: Sandy McCutcheon
Photographs: Suzanna Clarke

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Royal Air Maroc Set To Expand With New Aircraft

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According to reports carried by Reuters, MAP and other agencies the Moroccan national airline, Royal Air Maroc (RAM) is in the market to buy up to twenty and thirty new-generation planes, including fifteen medium-haul and five long-haul jets



Driss Benhima, the RAM CEO says that he would like to purchase the aircraft "as soon as possible".

Royal Air Maroc's fleet of about 44 medium and long-haul aircraft is becoming obsolete, at the same time as the airline has sought to develop Casablanca as a regional hub, connecting mostly poorly served west African capitals to Europe and North America.

"We wish to renew our fleet with the new-generation planes, and we need between 20 and 30 additional jets by 2020", RAM Chief Executive Driss Benhima told state news agency Map.

For long-haul, Benhima said he would be interested in the Boeing 787 Dreamliner, which competes with Airbus 350 , as the aircraft burns 15 percent less fuel than the current generation.

He said the Airbus Neo and Boeing Max were attractive medium haul options while the C series of Bombardier or Embraer were also being considered.

"If we want to develop and protect our market share, we must think of buying new planes," the CEO said.



RAM is looking beyond the Euro crisis which hit tourism, its main source of revenue, to develop its business and take on competition from European airlines. Morocco signed an Open Skies agreement with the European Union in 2006 allowing new airline competitors, including low-budget carriers such as Ryanair and easyJet.

Benhima didn't give details for the company's financing plan. The company's operating profit was 718 million dirhams ($84.5 million) in 2012, the best result since the 1990.

Morocco, which has been thinking about reducing its stake in RAM for more than 20 years, led major efforts to restructure the group last year in a move that tourism operators said was a sign the state was preparing for a sale.

But the transport minister Abdelaziz Rebbah has said he would rather pursue a strategic partnership with an airline from one of the Gulf states or beyond, than sell a stake in its flag carrier.

Regular travellers will also be hoping that inflight service will be upgraded to match the new aircraft as onboard refreshments have lately been widely criticised as being way below international standards.  "A stale bread sandwich is not an inflight meal," according to one recent passenger.


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Moroccan Photography Tours For Photographers

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A series of photography tours with a difference - a photography course where Morocco is the subject. Each ten day course is a tour of Morocco designed by photographers for photographers.

Photo projects will include: portraiture, model work, architecture, ethnographic, documentary, editorial, and entertaining (maybe even slightly competitive) scavenger hunt assignments.

The trip will be an intense immersion into both photography and Moroccan culture. And one of the best ways to see/frame a culture is to understand and learn about your subject.


Youssef Khalfaoui, the Moroccan Photographer and tour leader has been a tour coordinator and leader for over 15 years and is an avid photographer. He is fluent in Arabic, Berber, French and English.

Jake and Youssef

Jake Warga is from Seattle. He is a professional photographer, journalist and instructor who fell in love with Morocco while working on a photo assignment for the Morocco Tourism Bureau. His photos are represented by Corbis and Getty Images, and a multimedia series Faces of Africa was exhibited at the Seattle Art Museum. He teaches photography and filmmaking and holds a masters in Visual Anthropology from the University of London. Jake has traveled to over 50 countries for various assignments and personal curiosity.

Jake has been featured on The View from Fez several times in our Photo of the Day series. He is also the man behind the wonderful artisan series - a story we ran back in May (see it here).


For additional information and contact details please visit: http://moroccophototours.com/

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2013 Volubilis Festival Programme Announced

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The 14th edition of the Volubilis Festival is being held between the 3rd and 8th of July in Meknes, and the lineup is impressive.


Opening night will be an interesting cultural mix, with the Maria Pomianowska group from Poland, a folklorique Turkish ensemble and the Moroccan outfit, Rouh Meknes featuring Yassin Habibi.

Maria Pomianowska
It is a great start to what promises to be a fascinating festival with music from Martinique, Peru, France, Turkey, The Ivory Coast, Spain and (incredibly) a troup from the Beijing Opera!

Beijing Opera 
THE FULL PROGRAMME


For more information: contact Contact M.Bouselham Daif
Mail: bouselham.daif@gmail.com


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"Amazigh and Andalusia" ~ The Fez Festival of Amazigh Culture

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The Fez Festival of Amazigh Culture is at its 9th Edition and this year has the theme: "Amazigh and Andalusia". The festival takes place at the Palais des Congres with concerts at Bab Al Makina and Jardin Lalla Meryem

Amazigh women performing at last year's Amazigh Festival (photo: Sandy McCutcheon)


The Fez Festival of Amazigh culture returns in beautiful form. From July 5 to 7 Fez will be transformed into a city where singers and poets from various regions of the Kingdom and from friendly countries are invited to participate in the festivities of this great cultural event.

Organized under the High Patronage of His Majesty King Mohammed VI at the initiative of the Spirit of Fes Foundation, the North South Centre and Fez-Saiss Association, the fusion between debate, song and poetry is designed to advocate cultural diversity, preserve its authenticity and promote this rich heritage.

This edition is organized in partnership with the Region of Fez Boulemane, the City Council, the Royal Institute of Amazigh Culture, BMCE Foundation and Maroc Telecom, with the participation this year of several countries including Spain, Algeria, France and Italy.

It will be marked by the tribute which will be paid to Mr. Abdeslam Ahizoune, CEO of Maroc Telcom for his remarkable contribution to the revival of Amazigh and Moroccan culture in general. It will also be marked by the participation of well-known poets from Morocco and Europe, such as Mohamed Mestaoui, Ali Amran, or Abdelaziz Stati who will be honored by the festival as well.

The program this year includes an international congress on the role of the Amazigh component in Andalusia and its impact on migration, as well as writing workshops, music performances, poetry readings and the presentation of two works by 2M award-winners in the last literary competition, namely Mustapha Mellou: Tiwtmin yufn urgzn (novella) and Sanae Zahid Khabbach Id: Talalit Izwarn (Poetry). The program also includes exhibitions of works of art, of Amazigh Moroccan carpets and handicrafts.

Fatima Tihihit

The festival will be a stream of music, dance and songs, Najat Atabou, Abdelaziz Stati, Ali Amran Algeria, Flamingo Tablao of Catalogna Cataldo Perri Italy, Fatima Tihihit, Najmat Rif Ahidous Mgouna and others will illuminate Fassi nights through 20 concerts taking place on the legendary stage of the Bab Makina and Lalla Amina Garden.

Abdelaziz Stati

In addition to the exhibition of works of art by Khadija Madani, Jamal Boutayeb Abderrahim Hassani, Yassine Bouriaz, Cherki Ali and Hassan Attifi, the program features a play in Amazigh titled "Who are you and what did you do?" by Mohamed Dasser and a writing workshop with the French writer Jean-Marie Simon.

The Fez Festival of Amazigh Culture, which has now become a major annual cultural event, aims to enhance the values of tolerance and brotherhood/sisterhood and promote the Amazigh culture and opens, as usual, its scenes of traditional music to the young musicians from North Africa and the Mediterranean region. This festival is also working to consolidate the development process, the values of peace, dialogue and social cohesion.

Programme

Festival de la Culture Amazighe

The public are welcome to attend concerts, interact with speakers and world-class experts and to participate in discussions.

There is no entry fee and entry to all concerts is free. For those of you who come from outside of Fez, the organisers can help you get a reduced hotel price or shelter rates.







July 5th
PALAIS DES CONGRES
Congrès Mondial sur “Amazighité et Andalousie »
Ouverture : 16 :00 - 18 :30 -OUVERTURE
-HOMMAGE A ABDESLAM AHIZOUN
-PREMIERE SEANCE DU CONGRES

JARDIN LALLA MERYEM
19 :00 - 21 :00 - AHIDOUS KALAAT MGOUNA (Maroc)
-MAJID MOURAD (Maroc)

BAB MAKINA
21 :30 - 23 :30 - AHIDOUS KALAAT MGOUNA (Maroc)
- NAJAT ATABOU (Maroc)

July 6th
PALAIS DES CONGRES
Congrès Mondial sur “Amazighité et Andalousie »
9 :00 - 14 :00
17:00- 18:30
-TRAVAUX DU CONGRES ET DEBATS

-ATELIER D’ECRITURE
-projection de film « Explusion 1609 La Tragédie de Morisque

JARDIN LALLA MERYEM
19 :00 - 21 :00 - Group Kwasser (Maroc)
- ALI AMRANE (Algérie)

BAB MAKINA
21 :30 - 23 :30 - Groupe Kwasser (Maroc)
- Fatima Raissi Tihihit Banou

July 7th
PALAIS DES CONGRES
Congrès Mondial sur “Amazighité et Andalousie »
9 :00 - 13 :30 -TRAVAUX DU CONGRES ET DEBATS
-ATELIER DE L'ALPHABET TIFINAGH
- LECTURE DE POESIE

JARDIN LALLA MERYEM
19 :00 - 21 :00 - FLAMINGO (Espagne) : Fès-Andalousie
- Najmat Rif (Maroc)

BAB MAKINA
21 :30 - 23 :30 -Ahidous Tahla
- ABDELAZIZ STATI (Maroc)


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Visiting the Fez Medina? Dive Into Local Culture with Café Clock

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Every Week Café Clock hosts a range of activities that can add a cultural boost to your visit to Fez. Here are this weeks offerings.

WORKSHOPS
Clock Kitchen
Learn to cook traditional Moroccan food in the heart of the medina with Clock Kitchen. Fez’s first dedicated cooking school, a new addition to the renowned Cafe Clock

Calligraphy
Discover the sacred art of calligraphy with master Mohamed Charkaoui. Private lessons by arrangement. Speak to café manager for details.

Fez Download
Let us introduce you to the Moroccan ways with Khalid (French, English and Arabic), 2hour session on culture, customs and Language, call  0535637855 or come into Cafe Clock


Get your henna at the Clock!

Henna
Give your hands a fancy look with a beautiful henna tattoo for 100dh. Speak to café manager for details.

Oud
Learn to play with master musician Mohamed Semlali. Oud provided.


CINEMA
Monday & Friday @ 6pm
Al Boyout Asrar Directed by Asayed Ziada with Adil Imam, Amira and Sohir Ramzi. The movie is in Arabic with French subtitles. (free)
Casino Royale Directed by Martin Campbell with Daniel Craig, Eva Green & Judi Dench.The movie is in English with French subtitles. (free)

JAM SESSION
Every Wednesday from 6pm to 8pm. All musisians are welcome.

FOOTBALL
Every Thursday @ 6pm in Sports Complex Batha. Speak to café manager for details. All welcome

EXHIBITION
Graffiti Art by the urban artist Omar Lula
Gods From India art exhibition in the Redroom Habibi prints from a graphic novel

CONCERT

Sunday Concert @ 6pm
Jilaliyat Popular female group (20dh) 




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Artists Respond: Exhibition and Performance in Fez

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The View From Fez correspondent Vanessa Bonnin's photographs feature in an exhibition and performance event AiR Sidi Ali - Artists Respond, opening on Tuesday July 2 at the French Institute


In January this year, during a week long artists' residency with four other artists, photojournalist Vanessa Bonnin explored the religious Moussem celebrating the Prophet's birthday at the town of Sidi Ali near Meknes. Taken during a Gnaoua lilla, her photographs hint at the mystical and sensual side of the ceremony.

"At Sidi Ali I met a chaufa, a woman who tells fortunes, who invited us to this Gnaoua lilla. Although I was allowed to take photos, there were also restrictions such as respecting people's identities, so I did an artistic rather than literal interpretation.

"The whole artists' residency was so intense it took a really long time to be able to process it. It feels like the residency continued beyond that week and the exhibition is the culmination."

An Australian photojournalist, Vanessa completed a degree in journalism and photography at Perth's Curtin University. After graduation she worked on the Melbourne newspaper The Leader for three and a half years. Her alter ego is as the host of one of Fez's top restaurants and boutique hotels, Dar Roumana.

Musicians in Sidi Ali before a performance 
The AiR Sidi Ali - Artists Respond residency was run by artist Jess Stephens from Culture Vultures, who will be exhibiting several of her own works and a series of adornments inspired by the rituals and music-based ceremonies at the Moussem.

The other artists include Hollis Bennett, a photographer from Texas, US, whose work focuses on small groups of people. "He shows their individual intricacies and how they fit into society by standing apart," says Jess.

Rene Kladzyk, a multidisciplinary artist based in Brooklyn, New York, will do a solo performance, CROWNWORC, using sound and movement. It is inspired by the practices of possession and trance at the Moussem.

A video installation by Fez based contemporary dancer, Camelia Hakim, calls on her research into Gnaoua ceremonies.

The AiR Sidi Ali event will be in two parts - an exhibition which opens on Tuesday July 2 at 6.30 PM and runs until August 31, and the performance by Rene Kladzyk at Dar Batha in the Fez Medina at 8 PM.

This year Jess Stephens plans to run the residency again and artists are invited to apply until September 1. For info, CLICK HERE. 


When: Exhibition opens Tuesday July 2 at 6.30 PM and runs until August 31. Performance on Tuesday at 8 PM. 
Where: Exhibition is on at the French Institute Gallery in the Ville Nouvelle, and the performance is on at Dar Batha. 
Info: CLICK HERE

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The Moroccan Kaftan - Timeless Fashion

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One of the most searched for terms on The View from Fez is the word "kaftan". While fashions come and go with increasing rapidity, there is something so alluring about kaftans that makes them timeless. Youssef Sourgo, writing for Morocco World News, waxes lyrical as he explores the reasons for the Kaftan's popularity


What could be the point in common between Mariah Carey, Hilary Clinton, Asala Nasri, Haifaa Wahbi, Elizabeth Taylor, Diana Haddad and Jennifer Lopez? The answer is that all of these international female celebrities were enchanted by the majestic beauty of the Moroccan attire, the Kaftan.

Syrian super-star Asala Nasri

Alongside all the aforementioned names, innumerable female celebrities from all corners of the world have found a perfect match to their sublimity in the Moroccan Kaftan. Thanks to faithful, taste-refined Moroccan women abroad, who have been ambassadors of the Moroccan elaborate apparel, the Kaftan’s magic has found its path to women’s hearts worldwide.

HH Princess Lalla Salma (centre) 

HH Princess Lalla Salma has also had an unquestionable share in rendering Kaftan every woman’s aspiration abroad. Princess Lala Salma, topping the list of Moroccan female ambassadors of Kaftan, has always elegantly stood out of the crowd, dressed in refined Kaftan designs on a myriad of important ceremonies abroad, ranging from the crowning of a royal figure to an international conference on women’s rights.

It is no coincidence that the traditional Moroccan Kaftan continues to appeal to leading female figures in the world, even to those who have a sophisticated sense of fashion and modernity. The intricate attire, with its dazzling colors, composite designs and refined tissues easily espoused modern trends of fashion, thus astounding both fans of modernity and tradition in clothing.

Who could believe that Beyonce, Mariah Carey and Jennifer Lopez, American’s international diva singers, who have for so long been engrossed in Western trends of fashion, would wind up falling in love with a traditional attire from the other sphere of the earth?

Who could believe that the most beautiful representative stars of the Arab world, the likes of Asala Nasri, Cherine, Ahlam and Diana Hadad would be attracted to the Moroccan attire while their cultures have their own distinctive traditional attires?

Credit has to be given ultimately to the tremendous efforts put into practice by Moroccan traditional designers. Kaftan’s current universal appeal will always be indebted to the professionalism and dedication of thousands of professional, traditional Moroccan designers. Kaftan’s early life kicked off in their romantic, humble shops, where handmade divinities were created.

Amazigh style kaftans

Credit has to be given, also, to all Moroccan women who have favored Kaftan over the myriad of fashion trades sweeping the world every second. Their persistence to keep the Kaftan an attire worn on most significant ceremonies, such marriages, festives and celebrations has kept the Kaftan in the spotlight.

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Maroc Telecom Launches Amazigh Voicemail

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Up until this week Moroccan operator Maroc Telecom has offered voicemail in Arabic and French. Now the company has announced that customers can now choose to interact with their voicemail and messages in the Amazigh language.  


In its announcement Morocco Telecom said its move reflects the linguistic diversity of the Kingdom, and will improve access to new information technologies and communication. The operator has been selling handsets adapted for Amazigh since February 2011.

At the same time the Moroccan government has said it will adopt a participatory approach to the development of the law on the formalisation of the Amazigh (Berber) language.

Speaking in Rabat at the opening session of a national conference organised by the Royal Institute of Amazigh Culture (IRCAM) on the "formalisation of Tamazight in Moroccan Constitution: what strategies and measures?"  the head of government, Abdelilah Benkirane stressed that the government program has highlighted the issue of formalising the Amazigh language and defines the methods to include the language in the education system and public life.

Abdelilah Benkirane

He added that the 2011 Constitution is a landmark in the consecration of Amazigh, part of the common heritage of all Moroccans, as an official language of the country, stressing that the formalisation of the Amazigh language is culmination of a process initiated since the royal speech of Ajdir in October 2001 brought a new vision about the Moroccan identity.

Abdellatif Manouni, adviser to His Majesty the King has emphasised the importance of this conference will lead to positive results to help define the next steps for the implementation of the constitutional provisions the formalisation of the Amazigh language.


For his part, the president of the IRCAM, Ahmed Boukous, noted the deep meaning of the formalisation of the Amazigh language, adding that the new constitution marked a turning point in the future of the language in Morocco.

Note: The Fez Festival of Amazigh Culture begins July 5th

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The Punk Poetess and Other Sparkling Sacred Music at the Fes Festival

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The 2013 Fes Festival of World Sacred Music has come and gone and already people are booking accommodation for next year (June 13 - 21, 2014). The feedback about the 2013 festival has been overwhelmingly positive with many regular festival goers rating it as one of the best ever. Peter Culshaw reflects on the festival
Patti Smith - photo: Suzanna Clarke

“The boy looked at Johnny – he was surrounded by white and blue tiles, in the medina.” Patti Smith was improvising on her classic album Horses in her first, compelling, gig in Morocco. Smith has a history of Moroccan connections: she knew the Tangier-based writer Paul Bowles and plugged into that pre-punk Beat generation, but there were some raised eyebrows as to what exactly she was doing at a “sacred” music festival. “Birdsong is sacred,” she said when challenged on this, surrounded by the twitter of birds at the open courtyard of the Riad Sheherazade where she gave her press conference the day before. "And so is Jimi Hendrix.”

Perhaps it would have been better to ask, What is not sacred music? Certainly most of the music of the Festival was more obviously from a spiritual tradition. Now in its 19th year, it was set up after the first Gulf War as a way to bring differing religious paths together. As an event in a Muslim country it remains a beacon of tolerance and creativity (and an inspiring contrast to the Salafists whose black flags were in the last year taking over Mali and banning music).


Paco de Lucia plugs back into flamenco roots and the fire and passion is back

But the reason Fes has established itself is that it's not just a powerful symbol in one of the Muslim world’s most sacred cities, with exchanges and discussions at the morning Fes Forum in what some have called “a spiritual Davos”, but a world-class music festival.

There were established international stars like guitarist Paco de Lucia, who in his advancing years really gives the impression that he is a total master of his instrument. Virtuosity is secondary to intellect and emotion. Just when things were threatening to get overly jazzy and cerebral, he plugs back into flamenco roots, and the fire and passion is back.

Abeer Nehme - photo: Sandy McCutcheon

More exciting for a music explorer are the gems you would never have come across without Fes. Outstanding this year was Abeer Nehme (pictured above) and her group, who sang Aramaic music from around the fourth century. A Christian living near Beirut, she has lived through conflict (her father was in the army and lost his leg), and she had the courage to tour Iraq in 2008; her voice has a transcendent purity. The Lebanese woman next to me said, “Finally, we have someone who could be on the level of Fairuz." Compliments don’t get much greater.

It was extraordinary how her music seemed to cut through the centuries of layers built up over Christianity, the Victorians and puritans in particular. Singing in the language of Jesus, it was powerful enough that you even got some impression of the sweetness and compassion of early Christianity. It was also sufficient for me to start looking up Antioch, the Maronites, and the early Syrian Church, which sent me off on a historical adventure.

An experiment in transporting an Upper Egypt Sufi ceremony from the village of Deir was also intoxicating – the new thing was to take a film of the village complete with kids and dogs running around under bright lightbulbs in a dusty square, and show it behind the musicians in the confines of the elegant Musée Batha under the famous Barbary Oak tree (somehow that tree with its enfolding branches seems to embody the spirit of the Festival).

Upper Nile Village under the Barbary Oak- photo Sandy McCutcheon

There were curious fringe events, like the film Looking For Muhyiddin, by film-maker Nacer Khemir which took place at 11pm outdoors at Borj Sud on the coldest June night anyone could recall. Two hours in we were wrapped in the carpets, provided for sitting on, to keep warm. The film showed the director criss-crossing countries with his red wheely suitcase meeting people who would shed light on his spiritual guide Muhyiddin (better known as Ibn Arabi) in Oxford, Italy, New York, Damascus and elsewhere. A paradox about this film, with its evocatively shot locations, was that while it was partly about transcending the ego, it was it some ways enormously self-indulgent.

Amongst several talks, the most intriguing and entertainingly delivered was Princeton professor Michael Barry’s look at how Matisse, who spent considerable time in Morocco, was influenced by Islamic painting and the Muslim world. Over mint tea at his hotel the day after, Barry, who had lost friends to the Taliban in Afghanistan, said that one of the outrageous things about the modern discourse on Islam was how the extremists had managed to brand themselves orthodox, whereas the more tolerant forms of Islam seen in places like Morocco, and abundantly represented in Fes for centuries were the true tradition of Islam.

A discussion ensued of a psychological nature – a modern dialectic being that psychotics such as the Islamists have a certainty which gives them strength, while the opposition tend to be neurotics who take a nuanced, less monomaniacal view of the world. It is often these off-agenda meetings and connections, which nearly everyone I spoke to had, that have a ripple-effect in conversations and projects which develop after the Festival ends.

Assala Nasri - photo Suzanna Clarke

Probably the biggest star of the Festival was the Syrian singer Assala Nasri, the closest thing to a real pop star in the Festival. An opponent of the regime in Syria, she filled the 6,000 or so seats in the grand Bab Maqina beyond capacity. The numbers seemed to be in general up this year, and evening concerts at the Musée Batha were also jammed for acts like the life-affirming energy of Algeria’s El Gusto and the more doleful modern fado of Portugal’s Ana Moura.

The director Faouzi Skali and artistic director Alain Weber pulled off a vintage event, full of sparkling music and adventurous programming – from Bhutan folk to Indian classical musicians jamming with baroque musicians to eccentric semi- classical versions of Leonard Cohen and Tom Waits by Rosemary Standley and Dom La Nena as part of the more intimate Nights In the Medina series in the gorgeous Dar Adiyel palace.

Rosemary Standley and Dom La Nena

One collaboration which didn’t entirely come off was the Ladysmith Chicago Gospel Experience; while the presence of feisty young Californian beatboxer Butterscotch was a bold attempt to drag gospel into the 21st century, her beats were banal compared to the rich complexity on offer elsewhere and I suspect showing off is not a particularly sacred attribute. Patti Smith, in that sense, on the last night was more spiritual – if you mean a connection to a larger energy, genuine communion with an audience and a certain damaged, compassionate humility.

Peter Culshaw's book on Manu Chao is published by Serpent's Tail
Follow Peter Culshaw on Twitter

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Ramadan Time Change in Morocco - at a cost of 260 Million Dirhams!

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Daylight saving to stop ... and then start again

The wonderfully named "Ministry of Public Modernisation" in Morocco has just confirmed what everyone suspected - Ramadan can not handle daylight saving. Yes, once again during the month of Ramadan Morocco returns to GMT. The Ministry announced today that from from July 7 to August 10 the time will shift back an hour.

This is despite advice that the transition to summer time would have saved 90 megawatts per day and about 262 million dirhams, or consumption of a city like Meknes .


So, from July 7, make a note to turn you clocks and watches back 60 minutes from 3 am. (Just to be clear, 3 am will become 2am!).

It is also important to check your airline flights as several times in the past people have missed flights because either they or the airline was not up to speed on the proclamations from the Ministry of Modernisation.


This strange avoidance of daylight saving during Ramadan was measure, introduced in Morocco in June 2008, after two failed attempts in 1985 and 1989. Daylight saving aims to make energy savings and reduce the time difference between Morocco and its economic partners, mainly European - but somehow the experts have failed to find a way of working within Ramadan! Hopefully someone will figure it out.

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AiR Sidi Ali - Artists Respond ~ Exhibition Opening in Fez

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Every year, in the week following the Prophet's birthday up to 50 thousand Moroccans descend on a small mountain village of Sidi Ali near Meknes. An exhibition at the French Institute in Fez presents the responses of photographers and artists to experiencing the mousem

Sidi Ali

The pilgrimage or mousem is traditionally an Hamadcha Sufi event but now includes ritual events from a number of groups, most notably the Gnawa and Jilala. These groups work with spirits, helping those who are possessed by saints or spirits to develop and reinforce their lasting relationship, leading to blessings, health, money, or the removal of specific symptoms.

People rent houses and hire groups to host ritual events, and the town is loud, full of these musical activities day in and out. Simultaneously, each group can be hired to take sacrifices down the hill, progressing to either the tomb of Sidi Ali Bin Hamdush (for the Hamadsha) or Lalla Aisha's cave. Pop music blares, competing with these (popular) ritual sounds, and the entire place is inundated with energy.

For the first time this year a number of artists and photographers visited the mousem and this exhibition shows their response to activities in the town. The exhibition, AiR Sidi Ali - Artists Respond, opened this week at the French Institute in Fez.

Rene Kladzyk, Jess Stephens and Vanessa Bonnin

Artists involved in the project included Vanessa Bonnin who had four fine photographs on display. Jess Stephens from Culture Vultures responded to the event with a series of adornments inspired by the rituals and music-based ceremonies at the Moussem.

The other artists include Hollis Bennett, a photographer from Texas, whose work focuses on small groups of people. "He shows their individual intricacies and how they fit into society by standing apart," says Jess.

Rene Kladzyk, a multidisciplinary artist based in Brooklyn, New York, gave a solo performance, CROWNWORC, using sound and movement. It was inspired by the practices of possession and trance at the mousem.

A video installation by Fez based contemporary dancer, Camelia Hakim, calls on her research into Gnaoua ceremonies.

Musicians from Sidi Ali share a joke with Jess Stephens

The exhibition runs until August 31 at the French Institute Gallery in the Ville Nouvelle. For more information: Click here

The Fez Hamadcha 

See a two-part description of the Hamadcha Mousem at Sidi Ali : 

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Out of the Ruins - The Rise and Rise of The Ruined Garden in Fez

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The Ruined Garden café and restaurant in Fez is now open and in a very short space of time the beautiful garden setting has become a favourite haunt for locals and visitors alike.  During the recent Fes Festival they were providing fine food, refreshing drinks and an air of tranquility for up to 90 visitors a day. The View from Fez caught up with the force behind the venture, the affable renaissance man, Robert Johnstone.



Back in September 2010 when Robert Johnstone first saw the space beside Riad Idrissy it was not a pretty sight. In his words, what he saw was "a rubbish dump". Yet, with remarkable foresight, he and his business partner, John Twomey, knew there was something to be uncovered.

"As soon as I saw it cleared," Robert recalls, "I could see the bones of the place. There were 12 broken columns, so we bought 12 big pots to put on them to give a sense of formality."

Formality it might have had, but Robert and John still had no clear vision of what the ruin might become. "Originally John and I didn’t have the idea to make a restaurant; only to offer private dining. The idea was to make the space as beautiful as possible".



The Ruined Garden project brought together all Robert's skills.

"I had always been a gardener, and I trained as a designer at Manchester Metropolitan University doing a degree in 3D design. When I finished my studies, I was given funding by the Craft Council to set up in business in Manchester. I did that for four years, making table top sculptures in resin. During that time I also worked at a French restaurant called Beaujolais. I was the greedy waiter. One day a chef was ill and they asked me to step in, because I was the one who had the most interest in the plates. It was a natural progression because my mother was a chef, so good food and dining was something we always did as a family".

After chefing in Manchester, Robert decided he needed some “front of house” polish, so he moved to London and started working at J.Sheekey– a fish restaurant owned by the owners of The Ivy. When the business was sold and the owners opened The Wolseley  a café-restaurant in the grand European tradition, located in London's Piccadilly, Robert became the Reservations Manager.

 “I wasn’t running things. There were 140 staff and I was the man who said 'yes', or 'no' - very politely.” He worked there for seven years.

Mike Richardson and Robert met as students in Manchester, and have remained friends. And it was at The Ivy  that he and Mike became friends with a regular client,  John Twomey, owner of the popular Ten Bells pub in Spitalfields. This was the point at which all the cast in the drama came together. Richardson would leave to start the now famous Café Clock in Fez and Twomey and Johnstone set out to purchase and develop Riad Idrissy.



When Robert started work on The Ruined Garden he was confronted with a number of challenges, not all of them bureaucratic. On the horticultural front the immediate questions were: how do you get soil here? How do you find a plant that will do well here?

It took a while to visualize the garden. "Garden centres here in Fez are supplied by garden centres in Rabat, so there is only a narrow palate. So I grew a lot from seed; lovage, rue, tomatoes", Robert says. "We are on the edge of hardiness for what I want to grow and the thing that’s different about this climate is that it feels like Spring, but it takes a long while for the nights to warm up".

Najia Elamrani in the outdoor kitchen

The secret treasure behind the cuisine on offer at the Ruined Garden is Najia Elamrani.  Once she was the housekeeper for the riad's former owners but now she works with Robert creating the dishes for the restaurant. "Although most Moroccan women can cook, we are very lucky to find someone who was prepared to be innovative," Robert says. "We have a good relationship. She will make something and ask me, is this good? What should we change?"

Once the garden began to take shape, Robert started running private dinners, but as he explains, "I always wanted to do a café that served Moroccan street food. We’ve adapted that, such as with the “popcorn macoudas”.

popcorn macoudas

There is no cultural preciousness about the food, Robert says. "For example our salada tafya - caramelized onion, apricot, cinnamon and chickpeas - we serve as a starter or with the lamb mechoui."

And then there is the Ruined Garden's extraordinary refreshing take on the bagel -  svenge with smoked salmon and an egg. "I always wanted a smoker, and when we were developing the chimney it seemed like a good opportunity to make one. I noticed (at the place that made the svenge) that sometimes people asked for them to be half-cooked, and wanted to know why. It’s because they take them home and put an egg in them. I  always liked the idea of salmon, carbohydrate, eggs and things".

1,900 year old recipe - Chicken Volubilis - with fresh figs and Moroccan salads
Super-tasty sardines and Moroccan salads

But is it "Moroccan food"? Robert is quick to respond, "We are offering Modern Moroccan food – same ingredients, different treatment".

As the popularity of The Ruined Garden grew, so did the need to have an outdoor kitchen. During the last Fes Festival they opened the 50 seat capacity restaurant and gave the new kitchen a test run. It worked superbly. "It’s been really nice since we’ve opened the restaurant. People staying in the riad want to be in this space. I don’t guide people in any way, but people tend to come down to where there’s a bit of life".

There are also a number of discrete spaces in the garden where those wanting privacy for intimate conversation can relax amidst the beautiful surroundings. Apart from the occasional strolling oud player there is (thankfully) no background music being played.

Just the place for an intimate conversation
 "The Festival was great and the Nights in the Medina were extraordinary. It was as though people were sucked in". But Robert is quick to point out that "that’s only three days a year it will ever be like that. So anything we have ever learned will have been forgotten by next year".

The View from Fez does not believe that for a moment!

Details: 
Open to the public every day except Wednesday from 12 PM to 9.30 PM.
Closed during August.
More info: 
The Ruined Garden
Riad Idrissy 

Text: Sandy McCutcheon
Photographs: Suzanna Clarke

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Creative Director for the Jardin Majorelle in Marrakech ~ Stephen di Renza

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Stephen di Renza is a man described as having "feline chic". While that may be true, there is a lot more to the man who has just been appointed Creative Director of one of Marrakech's main attractions - the Jardin Majorelle.

Stephen di Renza in Fez

Like most New York intellectuals of his generation, Stephen di Renza studied Derrida and Lyotard as well as Warhol and the punk bands playing at Max’s Kansas City. After a B.A. in film study at NYU, the Philadelphia-born di Renza started out as a photo stylist for Interview magazine, did a stint as an industrial designer, and acted as fashion director for Neiman Marcus and Bergdorf Goodman.

In Paris he made his name as the Artistic Director for Dunhill where his style was described as "chic by subtraction". In Dunhill's Heritage Store di Renza mixed vintage pieces, modern re-editions and contemporary art.

Stephen in Paris   Photo : Vincent Lappartient

A long sojourn in Paris was followed by a move to Fez and the creation of Riad 9 and Resto 7.

Last year Di Renza met entrepreneur Pierre Bergé. "I really respect the people behind the Jardin Majorelle," Stephen says. The respect was obviously mutual and he clearly left a favourable impression with Bergé, who revived the fortunes of the Jardin Majorelle with his late partner Yves St Laurent. Recently di Renza received the job offer as Creative Director of what is one of the top attractions in Marrakech.

For a man with Stephen's considerable talents, it is, as he describes it. "a dream role". "I'm going to be creating all new products made in Morocco," he told The View from Fez. "I'm looking to combine modern Morocco with international savoir faire."

The Majorelle Garden

Majorelle is a twelve-acre botanical garden and artist's landscape garden in Marrakech. It was designed by the expatriate French artist Jacques Majorelle in the 1920s and 1930s, during the colonial period when Morocco was a protectorate of France.

Majorelle Gardens - photo: Suzanna Clarke

Majorelle was the son of the Art Nouveau ébéniste of Nancy, Louis Majorelle. Though Majorelle's gentlemanly Orientalist watercolors are largely forgotten today (many are preserved in the villa's collection), the two and a half acre garden he created is his creative masterpiece. The special shade of bold cobalt blue which he used extensively in the garden and its buildings is named after him, bleu Majorelle— Majorelle Blue.

The garden hosts more than 15 bird species that are endemic to North Africa. It has many fountains, and a notable collection of cacti. It has been open to the public since 1947. Since 1980 the garden has been owned by the late Yves Saint-Laurent and his partner, Pierre Bergé.

After Yves Saint Laurent died in 2008 his ashes were scattered in the Majorelle Garden.

The garden also houses the Islamic Art Museum of Marrakech, whose collection includes North African textiles from Saint-Laurent's personal collection as well as ceramics, jewelry, and paintings by Majorelle.

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Atlas Lions on the Come-back Trail?

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The Barbary lion (Panthera leo leo), also known as the Atlas lion is a subspecies of lion that became extinct in the wild in the 20th century. Its former habitat range was in North Africa encompassing the region from Morocco to Egypt. And over the last few years there have been growing calls for the reintroduction of the Babrary lion to the wild in Morocco.

What makes this extraordinary is that there are many scientists who believe the lion is extinct. Yet others claim there are 90 lions alive in zoos including 35 in Rabat.


The Moroccan Ministry of Water and Forests had raised the matter in 2000, with the growing awareness of the danger threatening this species.

The reintroduction of the Atlas lions in their natural sphere is deemed a long-term project that would necessitate both significant human and financial efforts to achieve it.

The former popularity of the Barbary Lion as a zoo animal provides the only hope to ever see it again in the wild in North Africa. Many zoos provide mating programmes, which will help to increase the population of the species.


After years of research into the science of the Barbary Lion and stories of surviving examples, WildLink International, in collaboration with Oxford University, launched their ambitious International Barbary Lion Project.

Oxford used the very latest DNA techniques to identify the DNA 'fingerprint' of the Barbary Lion subspecies. Researchers took bone samples from remains of Barbary Lions in museums across Europe. These samples were returned to Oxford University where the science team extracted the DNA sequence which identified the Barbary as a separate subspecies.

Although the Barbary may be extinct, and is certainly extinct in the wild, WildLink International looked to identify a handful of lions in captivity around the world that may be descended from the original Barbary Lion. These descendants were to be tested against the DNA fingerprint and the degree of any hybridization (from crossbreeding) can then be determined. The best candidates were to then enter a selective breeding programme slated to 'breed back' the Barbary Lion. The final phase of the project intended to see the lions released into a National Park in the Atlas Mountains of Morocco.

As of March 2010, two alleged barbary lion cubs have been moved to 'The Texas Zoo' in Victoria, Texas where efforts are being made to preserve the endangered species under the WildLink International conservation programme

In Morocco a protected area of 10,000 hectares has allegedly been defined in a sparsely populated area in order to build this ambitious project.

As recently as last week La Vie Eco was writing that "Moroccan civil society has been mobilized recently in support of the kingdom’s mountain lions". There is reportedly an internet a petition circulating calling for the reintroduction of the atlas lions to their natural environment, which proponents say is Morocco’s Atlas mountains.

The main sources of natural prey for the predators of the Atlas Mountains were Barbary Stag and gazelle. Another particular favorite, and somewhat easier target, were the herds of cows and sheep kept by man. The method of hunting was never documented, but it is believed that they used the same death by strangulation method as do the other big cats of the world.


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Fez Amazigh Festival Opens With A Stunning Concert

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The Fez Festival of Amazigh Culture is at its 9th Edition and this year has the theme:"Amazigh and Andalusia". The first night of the festival was a triumph, with a concert that rocked Bab Al Makina and a crowd of around 1500. The View from Fez reports...


From the moment the men and women from the small village of Kalaat Mgouna came on stage, the crowd was entranced. The intricate dance moves  of the Ahidous Kalaat Mgouna were performed with consumate ease and when they left the stage after only two songs, the crowd was howling for more.

Najat Aatabou enjoying every minute! 

But the woman the crowd had come to see was Najat Aatabou.

Aatabou took to the stage like a Moroccan Tina Turner, shimmying, striding, twirling and mesmerising the audience who knew every word of every song and joined in with gusto. Her band were superb, laying down solid beats, augmenting her performance without upstaging her.

As a pioneer Moroccan folk artist who appeared in the 1980s, Najat Aatabou's fame transcends the boundaries of her country. Foreign and Moroccan artists use her work, the most important of which are her songs Hadi kedba baina,  Choufi Ghirou and J'en ai marre.

Hedi Kedba Bayna is about a woman whose husband is cheating on her. The title literally means "This lie is obvious" and was sampled by the Chemical Brothers on their song Galvanize. Choufi Ghirou, is about women who are in a relationship with married men, while in Morocco it is illegal to have such a relationship. Yet, despite the moral tone the song was delivered with a sensuality that is rarely seen in Morocco. The crowd lapped it up.



Her songs have evoked social and political discussion in Morocco and improved a lot in the area of feminism. Talking with Moroccan women in the audience, it is obvious that the discussion is on-going. 'She is our heroine,' one woman said. 'She says the things that we can't say.'

Young fans capturing every moment on video

In her own words: 'Through my artistic work, I chose to adopt the path of defending women in all respects... . My artistic works contributed in encouraging some women to break the barrier of the forbidden. Thus, they have the opportunity to express their opinions freely. I am delighted when they tell me that I helped them to achieve that.'

Last night at the Bab Al Makina Najat Aatabou did all of that and had the crowd on their feet dancing and applauding. As visiting internationally acclaimed festival director Bill Hauritz said, 'It was a world class act in an astounding venue!' - it was a triumph.

The Amazigh Festival continues until Sunday.

Photographs and story: Sandy McCutcheon


BAB MAKINA TONIGHT
21 :30 - 23 :30 - Groupe Kwasser (Maroc)
- Fatima Raissi Tihihit Banou

July 7th
PALAIS DES CONGRES
Congrès Mondial sur “Amazighité et Andalousie »
9 :00 - 13 :30 -TRAVAUX DU CONGRES ET DEBATS
-ATELIER DE L'ALPHABET TIFINAGH
- LECTURE DE POESIE

JARDIN LALLA MERYEM
19 :00 - 21 :00 - FLAMINGO (Espagne) : Fès-Andalousie
- Najmat Rif (Maroc)

BAB MAKINA
21 :30 - 23 :30 -Ahidous Tahla
- ABDELAZIZ STATI (Maroc)

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Daylight Saving Reminder - Morocco goes back an hour

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The wonderfully named "Ministry of Public Modernisation" in Morocco has just confirmed what everyone suspected - Ramadan can not handle daylight saving. Yes, once again during the month of Ramadan Morocco returns to GMT. The Ministry announced today that from from July 7 to August 10 the time will shift back an hour.

This is despite advice that the transition to summer time would have saved 90 megawatts per day and about 262 million dirhams, or consumption of a city like Meknes .


So, from July 7, make a note to turn you clocks and watches back 60 minutes from 3 am. (Just to be clear, 3 am will become 2am!).

It is also important to check your airline flights as several times in the past people have missed flights because either they or the airline was not up to speed on the proclamations from the Ministry of Modernisation.
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The 2013 Volubilis Festival ~ The Music is Pumping

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Meknes is currently enjoying the 14th edition of the Volubilis International Festival under the patronage of King Mohammed VI, whose commitment to cultural events is becoming legendary. Gabe Monson reports for The View from Fez
Peking Opera of Heilongjiang

These events provide well-produced showcases for local musicians, introduce international styles to local audiences and open an accessible but authentic window for visitors onto the diversity of Moroccan culture. Indeed, it seems possible to ‘Festival hop’ across the country, from major urban events such as Fes, Rabat and Essouira, to lesser known reaches of the kingdom, such as Sidi Ifni and TanTan.

Meknes seems to fall between the two. Although a centrally located Imperial city, only 55kms west of Fes, it is somewhat overshadowed as a destination by that more famous neighbour.

A pity, as Meknes is a surprisingly green and pleasant place to spend time. Its park-lined river, dividing a manageable Medina from the bustling and friendly Ville Nouvelle, gives a spacious feel and welcome sense of orientation for visitors. And the Festival is a perfect excuse to visit.

Concerts, all free, take place from sunset in two accessed venues at the Medina edge. Theatre Jardin Lahboul, a small riverside amphitheatre, hosts the more intimate events, while cafe-lined Place Lahdim rocks out into the small hours as youth and families gather, snack, sing along and promenade within the ramparts by the landmark Bab Mansour.

Le Chauffeur et Dans le Pre

The opening days of the six-day event (3-8 July), have displayed a well chosen mix of international and local acts. International acts so far have included the Peking Opera of Heilongjiang, whose physical comedy and gorgeous costumes delighted the family audience.

Pumping African and South American groups such as Cumbia All Stars (Peru) and N’goha OBV (Ivory Coast) have had the audience shouting and dancing, while intricate and musically theatrical French group Le Chauffeur et Dans le Pre challenged and impressed as they switched in a moment from contrapuntal fugues to comedic ‘circus’ music.

Mostafa El Herfi’s Andalucian orchestra

Local acts have ranged from Mostafa El Herfi’s Andalucian orchestra and Berber favourites Izenzarn to contemporary Rai with Cheb Kader and hip young fusion acts such as Heat Spirit.

A fuller account of these and other event highlights will follow. For now, suffice to say; if you are in the area, and love music, make your way to Meknes, enjoy the genuine friendliness of the people and some great sounds under the stars.

Text and photographs: Gabe Monson

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Top Festival Director Visits Fez - "It's a complete knockout!"

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Bill Hauritz is a much loved Australian festival director and the man behind the huge festival held at Woodford in Queensland every year and which attracts its audience from around the world. With 25 stages, more than 3000 performers and a range of activities that run from forums to folk music, World Music and blues,  dance workshops to instrument making, as well as films and comedy events, the six day festival is the largest in the Southern Hemisphere. On a world tour to "gain perspective", Bill Hauritz dropped into Fez this week - his first experience of Morocco.

Bill Hauritz in The Ruined Garden Café - "The Medina is a complete knockout!"


At present Bill Hauritz is travelling around the globe attending festival related conferences. At this point he has been away from Australia for six weeks and there is still a way to go. The most important reason for the marathon trip, he explains, is to get a fresh perspective and to get away from the daily pressure of work back in Australia.

"Getting a fresh perspective is important. I have been doing the same job for 28 years getting out into the world means I get a feeling for how what we do fits in into the global culture."

When pressed to describe the role he plays in both his own festival in Australia and those he advises he responds, "I would suppose you could call me a cultural activist, keen on promoting culture, or getting it out to ordinary people. Music and art is the conduit for that. I have put together a band of people with similar aims and philosophies and we all come together to create an annual festival."

Bill Hauritz, like many of the great festival directors over the years, is motivated and inspired by ideas. "The Woodford Festival started in 1987 in a small village in Australia. It's key aim was promoting notion that our lore is a key part of developing our national culture. So, if you want to change or add to our culture, then the creation of a festival that celebrates that lore is a way to achieve it."

Hauritz's words contain the same message that we hear from Faouzi Skali the Director of the Fes Festival of World Sacred Music. While the Fes Festival is smaller and younger, the philosophies behind them are remarkably similar. Skali believes Fes Festival of World Sacred Music can inspire and create forces for change through cultural expression. Skali, who founded the festival in 1994, believes "music is the common language of humanity, it has the ability to move us all and this year the festival speaks to valuing change and acceptance." Bill Hauritz would not argue with that.

The Woodford festival started small, with 900 people attending the event.After eight years the festival had grown too large for the village and so the organisers purchased 200 hectares of land in a beautiful valley at Woodford, north of Brisbane. The festival has been held there annually for the last 19 years. This year will be the 28th. The festival runs for six days and normally attracts around 130,000 people.

The Amphitheatre at Woodford - just one of twenty-five stages

This year Bill Hauritz was invited to take part in the third Indian Ocean Music Association conference: For the third consecutive year, IOMMA, the Indian Ocean Music Market Association), was held from June 4-6, 2013 on Reunion Island. This music market event in the Indian Ocean was an opportunity to meet and talk to artists and professionals of the Indian Ocean area and those from America, Asia, Australia, and Europe. The event program is a series of meetings in the form of conferences and workshops, face-to-face business meetings, and four island evening concerts.

From Reunion Hauritz travelled to Cape Town for a week of meetings, then Cairo and on to Amsterdam for a few days before attending a festival in Ireland. Then it was off to the UK for meetings in London and then as a guest of the Glastonbury Festival. After seeing the Rolling Stones performance at Glastonbury it was onto a plane to Morocco as a guest of The View from Fez.

His initial experience of Morocco has been overwhelmingly positive. "It's a wonderful place. It is everything that people told me about ... and more.  The Medina is a complete knockout, absolutely fantastic. The general feel of the place as you walk through the souks is brilliant. I love it."

Najat Aatabou - "world class"

While in Fez, Bill Hauritz was briefed on the Fes Festival of World Sacred Music, The Fez Sufi Festival, The Amazigh Festival and the Volubilis Festiva;.  He also took time to check out the Fes Festival venues and was fulsome in his praise of Bab Al Makina, a walled courtyard with seating for about 4,200 people. The surrounding walls up to 12 meters high create a RT60 reverberation time that measures between three and four seconds. As Fes Festival sound engineer, Chris Ekers has observed in the past "It's certainly a challenging place to do amplified music'.

"The setting is wonderful. We have nothing like that in Australia. A tremendous setting with a great spirit in there. Obviously a difficult venue for the sound engineers, but as far as staging goes - absolutely fantastic. I loved it," Bill Hauritz says .

Bill Hauritz was able to see the opening night performances of the Amazigh Festival and was impressed. "Najat Aatabou was a complete knockout. She is a super-star. If she was in the English speaking world she would be an absolute diva. She had a lovely presence, cheeky with the audience and totally connected with them. A world-class performer".

During his stay in Fez Bill Hauritz expressed the desire to bring Moroccan performers to Australia for the Woodford Festival and discussions have started with a number of Fez Musicians. No details are available at this stage, but there is interest in possibly taking the four Malams (leaders) of Issawa, Hamadcha, Melhoun and Gnawa groups to either the 2014 or 2015 festival.

And for Bill Hauritz the impact of Fez has been a positive one. In his own words  "I'll be back".
To which we can only add - Inshallah!

Check out the Woodford site here.

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