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Moroccan News Briefs #128

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After nine days of reporting on the Fes Festival of World Sacred Music we delve back into the real world, with stories about dodgy shellfish, clean beaches,  free jazz, kissing feminists and more...

2.5 million people and 600,000 vehicles expected

With Ramadan approaching there is expected to be the normal increase in traffic backwards and forwards from Spain.

Ramadan and Eid can have a considerable impact on travel in Morocco. It is worth noting that the actual dates are defined by lunar sightings and are not confirmed until very late. Dates for Ramadan and Eid in Morocco in 2015: Ramadan: 18th June - 17th July. Eid Al Fitr: 17th July and Eid Al Adha: 24th September


In less than two weeks, Spain will begin the operation of this years "Strait Crossing" (Paso del Estrecho operación) dedicated to Moroccans travellers. This year it is expected that nearly 2.5 million people and a little over 600,000 vehicles will travel across the Mediterranean.

This operation was the subject of a meeting this week between the Spanish and Moroccan authorities. The aim is to ensure the safety of tourists and fluidity of road traffic and shipping. The traffic is expected to build up from June 15th when many Moroccans leave during Ramadan while others arrive to spend the Holy month with their families.

No matter how well organised the operations are it is normal to expect delays during peak periods.

Crocodiles return to Agadir

It has been a very long time since crocodiles swam in the the swamps of Wadi Draa. Now a new tourist attraction has brought the crocs back to Agadir. A Crocodile Park, spread over an area of ​​4 hectares in the commune of Drarga was inaugurated Saturday evening with the cutting of a ribbon and the release of 300 reptiles. The organisers promoted the opening as  a "world premiere in Agadir".

Located at the entrance of the "Croco-park" is a giant crocodile head

In addition to the presence of reptiles to attract tourists and the curious, the project initiators have added attractions, including a small outdoor amphitheater, rest areas and playground, not to mention the inevitable "treasure caves" and other nocturnal offerings of events and shopping.

The park has four main gardens, including a "blue garden" consisting mainly of blue succulents. In addition there is a water garden with a collection of water lilies and tropical area of ​​giant bamboo and other rare floral species.


The cost of the project is said to be around 25 million dirhams much of which was raised by what the Economist describes as private funds advanced by the founders - old families of Agadir.

Ticket prices are set at 70 dirhams for adults and 40 dirhams for children. Special rates are available for groups. Similarly, the institution offers season passes set at 300 dirhams for adults and 200 dirhams for children.


The opening hours are: 10:00 to 7:00 p.m. until June 20 and then 10 to 11 p.m. from 21 June to 13 September.

Ban on harvesting and marketing of shellfish in Essaouira

The Department of Marine Fisheries has decided to prohibit the harvesting and marketing of all bivalve shellfish from Oum Toyour-Chouika in the Essaouira region.


The decision was made after the results of testing conducted by the National Institute Fisheries Research (NHRI) at the growing area of Oum Toyour-Chouika of the region of Essaouira showed abnormal levels of marine bio-toxins in shellfish.

In a statement issued yesterday, the Ministry of Agriculture and Maritime Fishing recommends "consumers only source packaged products bearing health identification labels and sold in authorised retail outlets.  The ministry warns that peddled or bulk shellfish have no guarantee of safety and pose a danger to public health.

Morocco raises the Blue Flag on twenty-three beaches

The Blue Flag is a voluntary eco-label awarded to more than 4000 clean beaches and marinas in 49 countries across Europe, South Africa, Tunisia, New Zealand, Brazil, Canada and the Caribbean. Morocco joined the program in 2002 and after extensive clean up work had 5 Blue Flag beaches by 2005. This year the number has risen to 23.


The international Blue Flag label is awarded by the Mohammed VI Foundation for the Protection of the Environment, chaired by HRH Princess Lalla Hasna, and the International Foundation for Environmental Education (FEE).

In 2015, 23 Moroccan beaches will fly the Blue Flag for the summer season. The beaches are spread over much of the Moroccan coast. The beaches are: Achakar (Tanger-Asilah), Sidi Moussa Aglou (Tiznit) Arekmane (Nador), Ba-kacem (Tanger-Asilah), Bouznika, Skhirate El Moussafir (Dakhla), Essaouira, Foum loued (Laayoune) , Haouzia (El Jadida), Imintourga (Mirleft), Ain Diab, Ms. Choual (Ain Diab Extension), Oualidia, Oued Laou (Tetouan), Umm Labouir (Dakhla), Safi Saidia Sidi Rahal, Sol (Tanger-Asilah) , Souiria lkdima (Safi), Tourist Resort Saidia and Cap Beddouza (Safi).


The granting of the label to a beach is made ​​on the basis of four criteria, - quality of bathing water, information, awareness and education about the environment, health and safety, and development and management. These criteria are checked throughout the season by a national committee led by the Mohammed VI Foundation for the Protection of the Environment.

Antique Art Auction in Casablanca

Saturday, June 6th from 5 pm is the time set for an auction of rare antiques at Elden Choukry Gallery in Casablanca. Included in the auction will be Moroccan paintings, orientalist art works and a collection of Islamic and Asian art,


As well as rare carpets, ruby crystal glassware (pictured above) and antique jewellery there are art works including ""La draperie rouge" de Jacques Majorelle, "La sortie du Sultan" by Ben Ali R'bati as well as "le cuivre patiné de Belkahia".

The art works and antiques are on view from today at Elden Choukry & Auctioneers: 100, Avenue Moulay Rachid, Casablanca

French Femen activists kiss in Rabat

Visitors and locals alike were bemused at the protest by two French Femen protestors who kissed this today at the Hassan Tower in Rabat. The activists Femen announced the event on Twitter and one of the women appeared with the slogan""In gay we trust" painted on her chest.


"They are embraced publicly celebrating LGBT rights and denounce the injustice done to the homosexual community in Morocco," say the group. It then went further by asking Morocco "to abolish its homophobic laws and its commitment made during the drafting of its Constitution in 2011".

The movement says that homophobia is not a tradition or a culture and even less should be a law. The FEMEN activists defending the right to freedom of privacy and sexual life.

In Morocco, people prosecuted for homosexuality are often given between 6 months to 3 years imprisonment under section 489 of the Penal Code which criminalises "licentious acts against nature with an individual of the same sex."

Update: Both women have been hastily deported back to France

JLo too much for Islamists

The sexually-charged show offered over the weekend by pop diva Jennifer Lopez at the Mawazine music festival in Rabat disgusted Islamist members of the ruling Justice and Development Party. The communications minister calling the broadcast on public television "unacceptable." The Mawazine music festival, which attracted more than 300,000 fans and featured some of the music industry's biggest attractions, was criticised by local media after the pop star gave a performance filled with "suggestive poses" and for being "scantily" dressed during a show that was broadcast on public television.



Mustapha Khalfi, a member of the Islamist Justice and Development party, took to social media to voice his displeasure and strongly denounce the broadcast on state television. "What was broadcast is unacceptable and goes against broadcasting law," Khalfi wrote on Twitter. Al-Khalfi added that he had asked the channel's ethics committee to examine the ethical aspects of broadcasting the concert during primetime.

The music festival, which is in its 13th year, runs until June 6 and will also see live performances by international acts such as Sean Paul, Avicii, Placebo, Akon, Sting, Usher and Maroon 5.

There had been great anticipation over whether JLo would adapt her concert to conform more to the sensibilities of conservative Muslims. Although Lopez did tone down the show somewhat to make it more discreet, the glamorous Bronx-born singer basically offered the Moroccan public the same format as she does at any of her other shows: Lots of wardrobe changes – she donned seven different outfits for her different dancing and singing numbers – all of them involving scanty clothing and plenty of skin.


Jennifer Lopez and Nabil Ayouch: Much Ado About Nothing

There has been so much talk about Jlo and about the reaction to the banning of the film Much Loved by Nabil Ayouch. In a timely and well thought out piece in Morocco World News, Majid Morceli considers the issues. Here is an extract:


More often than not, I know how I feel about things. I am either for or against something. However, this time I started out conflicted. Watching a few clips from Nabil Ayouch’s film “Much Loved” and Jennifer Lopez’s lascivious opening act in Mawazine festival threw me off.

The Moroccan part of me feels that the movie is too vulgar and too low on class and has no place in any Moroccan artistic platform. Additionally, Jennifer Lopez’s orgy of twerking and sexually provocative performance was simply inappropriate for Moroccan television.

No matter how I looked at it, I kept thinking 99.9% of Moroccans are Muslims. Of course Islam in Morocco comes in different levels and flavors, but you can bet that any Moroccan family sitting in front of its television set watching JLO or “Much Loved” will be horrified. I kept thinking that Morocco is simply not ready and will never be ready for such spectacles.

Moroccan families do not disavow such events solely based on their religious belief; they do so because it is not part of their social fabric or culture. From the clips available online, many Moroccans attending JLO’s concert are more concerned about taking pictures and videos of the performance, unlike concerts in the US where the audience is truly immersed in the performance.

Moroccan authorities need to end their system of paternalism and allow people to be free. The majority of Moroccan households are equipped with satellite televisions that can easily stream X-rated movies. Therefore, banning the movie is such pathetic move. The movie is freely available online. Are they going to ban the Internet as well?

Or is it because of Nabil Ayoush’s gutsiness to bring to life something considered taboo? Prostitution in Morocco is alive and kicking and there is no sign that it’s going to vanish anytime soon. The reason for this phenomenon is very simple: poverty. Instead of going after a movie producer, it would be more helpful to tackle the real culprit: the poverty and lack of education that are so rampant in the country.

It is utterly ridiculous to tell the world that banning the movie is to protect the image of Moroccan women. To protect women, Moroccan authorities should start by looking closely at the annual Gender Gap Index which shows Morocco falling to 133rd place overall out of 142 countries.

Read the full story here

Jazz Concert at ALC in Fez this Saturday
The Jazz Concert at ALC Fez this Saturday (June 6 at 6:30 PM) features the University of Akron Jazz Quartet in Concert!


The University of Akron Jazz Quartet features four faculty members from the School of Music: Professor Jack Schantz, Coordinator of Jazz Studies, pianist Rock Wehrmann, bassist Tim Powell, and drummer Mark Gonder.

Jack Schantz has toured the U.S. and Japan with the Tommy Dorsey, Glenn Miller, Artie Shaw, and Woody Herman Orchestras. He served as Artistic Director of the Cleveland Jazz Orchestra from 1992-2009. He has recorded with Oscar Peterson, Phil Woods, Joe Lovano, and Nancy Wilson. He has been on the Faculty at the University of Akron since 1996.

Rock Wehrmann is a pianist, arranger and producer. He has recorded with Pat Metheny, Chick Corea, and Herbie Hancock. His company, Sudden Realizations, produces music and sound design for films and broadcast.

Tim Powell is first call bassist for all Playhouse Square Center Productions. He has recorded with Harold Danko, Rosemary Clooney, Paquito D'Rivera and Joe Augustine. He has been on the Faculty at the University of Akron since 1993.

Drummer Mark Gonder has toured internationally with the Glen Miller and Tommy Dorsey Orchestras, and has recorded with Pat Pace, the Jazz Unit, and the Jack Schantz Quartet. He has been on the Faculty at the University of Akron since 1996.

The concert, which is free and open to the general public, is sponsored by the US Embassy in Morocco and the ALC-ALIF Music Club

It will be held in the garden of the American Language Center-ALIF at 2 Rue Ahmed Hiba, Fes, Ville Nouvelle

Morocco has seven million smokers

According to the National Alliance fight against drugs cited by the newspaper Al Massae, seven million Moroccans are smokers, including 500,000 children. And, according to the agency, this number is rising.

Moroccan law prohibits the sale of cigarettes to minors

These figures are an opportunity to recall that the anti-smoking law dates from 1995 is still not enforced. The law bans smoking in public places (transport, hospitals, administrative offices ...). In case of infringement, smokers are liable to a fine of 100 dirhams.

Since 2008 this prohibition even extended to cafes, bars and restaurants over 50 m². The law also prohibits the sale of cigarettes to minors, forcing tobacconists to request an ID to the client.

Petitions asking the Department of Health to enforce the law are regularly launched without any effect.

According to figures from the World Health Organization, every year tobacco kills more than five million people worldwide - more than HIV / AIDS, tuberculosis and malaria combined. Also according to the same organization, passive smoking is responsible for 600,000 premature deaths per year, of which a large proportion of children (31%).

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Lightning Season in Morocco - One Dead

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A young man has been killed by a direct lightning strike in a field outside the small rural town of Ait Ishaq, about twenty kilometers south of Khenifra. Lightning struck the young man killing him instantly.

Thunder storms accompanied by lightning are very common at this time of year, especially in the Middle Atlas and High Atlas.


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Ramadan - How Many Hours Fasting Per Day?

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During the month-long fast, Muslims refrain from eating, drinking and sex between daybreak and sunset. While this is a challenge for people everywhere, in certain parts of the world the length of the day and the high summer temperatures can cause real problems


The reason there are different lengths of fasting is simple. The Islamic calendar is based on the lunar cycle and thus 11 days shorter than the Gregorian calendar. Because of this it moves back 11 days every year.

According to twenty-six year old Fez local, Fatima Zohra, nobody alive now can remember a Ramadan where the days were so long. "When I grew up Ramadan was in winter and fasting was not a the big problem it is today."

The longer days at this time of year have the added burden of intense heat and biggest health problem for most people is not being able to drink water. "People become dehydrated and cannot concentrate,' explains Fez shopkeeper Omar." Late afternoon is not a good time to take a taxi," he says with a wry smile then whispers, "of course many people do drink a little water, but not in public."

The length of the Ramadan fast differs depending on where you live. Spare a thought for those in Finland, Iceland and Sweden the average fast lasts around 20 hours per day - leaving little time to replenish in between each day. In Denmark it is 21 hours.

Here in Morocco this year's fast lasts for 14 hours a day during the holy month of Ramadan.

Kuwait, Jordan, Syria, Iraq, Algeria and Libya will make Ramadan for 14 hours a day. Qatar, the United Arab Emirates, Tunisia, Bahrain and Palestine can expect around 15 hours a day.

In Spain, Muslims have to fast 15 hours a day, 16 hours in the United Kingdom, France, Italy, Germany the Netherlands and Belgium.  At the other end of the scale are Argentina and Australia on 9 and 1/2 hours and 10 hours respectively.

In many Muslim countries, the fast is often broken in the evening with long and elaborate meals. But with Swedish and Finnish Muslims experiencing only a few hours of darkness, this becomes harder to do.

Expect a long days fasting in Finland

However, the conservative Imam, Mahmoud Khalfi, at a Stockholm Mosque, is adamant that the principles of fasting at Ramadan are clear: “There is still day and night, so Muslims should follow the rule that you fast during the hours of daylight. Sometimes Ramadan falls in the winter, and then the hours of daylight are very short.” Most people ignore his advice

Back in 2005, the month of fasting stretched from October to November, when daylight hours were shorter. But by the time Ramada is observed in 2015 it will begin on the 18th of June, when many parts of Sweden, Finland and Norway don’t get dark at all. With just over three and a half hours to eat, sleep and prepare for another 20 plus hours of fasting, it is little wonder that most people decide to fast according to the length of the day in Mecca, which is a mere 15 hours.



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New UK Ambassador to Morocco Appointed

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The British Foreign Office has appointed Karen Elizabeth Betts as the new Ambassador of the UK to Morocco. The British diplomat succeeds Clive Alderton who has been based in Rabat since December 2012



Ms Betts currently serves as Counsel at the Embassy of Great Britain in Washington, USA , where she is responsible for foreign and security policy. She joined the Foreign Office in 2001. Betts was also a national security adviser to the British government.

The diplomat is expected to take up her post in Rabat in September. Betts has also been named as  non-resident Ambassador of the United Kingdom in Mauritania.

Former Ambassador  Clive Alderton, returns to London for the post of Private Secretary to the Prince of Wales and Duchess of Cornwall.

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Moroccan Minister Dislikes Speaking Arabic

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According to a report carried by Morocco World Newsa Moroccan minister says speaking in Arabic causes her fever

The incident was an interesting side issue to emerge in the ongoing "language war" in Morocco. Normally the debate focuses around the need to make English the second language after French. However, when the Minister Delegate in Charge of Environment, Hakima El Haite, said that speaking in Arabic makes her body rise in temperature, she ignited another burst of reaction on social media.

Speaking during a press conference in Skhirat, near the capital Rabat on Tuesday, the Minister replied in French to journalists’ questions, and tried to evade answering in Arabic.

“Maybe I should reply in Arabic?” the Minister asked the journalist. The journalist said “yes, if it is possible.”

“I will answer in Arabic, although when I speak it, it causes me fever,” the Minister said.

Haiti is not the only Moroccan Minister in the Benkirane government to refuse responding to journalists’ questions in Arabic. The Minister of Education and vocational training Rachid Belmokhtar told France24 Arabic journalists that he does not speak Arabic.

Many Moroccans took to social media to criticize El Haite’s comments, saying that by evading answering in Arabic, the Minister is in fact insulting the “language of the constitution.” Others pointed out that it was bizarre that a Moroccan minister could not respond in the mother tongue of the country. This evoked a swift response from social media that in fact Amazigh (Berber) languages were the true mother tongue, and that Standard Arabic was unwelcome.

"Our Mother tongue in Morocco is DARIJA or BERBER, I am against Moroccan Ministers, as well as National television and radio channels speaking in Arabic. We are the only country in the world whose institutions don't use the mother tongue to communicate. Is it a good way to keep the majority of the Moroccan people in the dark?" - Hassan on Social Media

In the meantime, Darija (Moroccan Arabic) remains the most widely spoken language despite attempts by conservative forces to impose Modern Standard Arabic as the common tongue by (foolishly) not teaching Darija in schools. As one critic pointed out, if we speak Standard Arabic we will end up like the Saudis!

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Heat Wave Warning For Morocco

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Several regions in southern Morocco will be affected by an unprecedented heat wave this weekend caused by the rise of hot, dry continental air. The easterly flow of hot weather is known as the "Chergui phenomenon"

Keep well hydrated!

According to a statement released by the National Department of Meteorology (DMN), the heat wave will first affect the regions of the South and Southeast of the country during the weekend, with temperatures that will vary between 40 and 46 degrees.

Friday temperatures will vary between 36 and 46 degrees in the provinces of Settat, Rhamna, Khouribga (South), Kalaât Seraghna, Fkih Ben Saleh, Ait Melloul Agadir, Guelmim, Tan-Tan (East), Es-Smara, Assa-Zag Tata, Khemisset, Sidi Slimane and Ouazzane says MND in a special weather report.

The temperatures will oscillate on Saturday between 37 and 43 degrees in the provinces of Settat, Nouaceur, Rhamna, Marrakech, Khemisset, Kalaat Seraghna, Fkih Ben Saleh, Ait Melloul Agadir, Guelmim, Tan-Tan (East), Es-Smara, Assa-Zag Tata, Khemisset, Ben Slimane, Larache, Kenitra, Rabat, Sidi Slimane, Ouazzane, Berrechid, Ben Slimane and Casablanca, Mohammedia and El Jadida.

Expect crowded beaches and do take sunscreen and drinking water

The heat wave will continue into Monday through Thursday as the sudden rise in temperature begins to affect the central and interior plains of the north. Temperatures will again range between 40 and 46 degrees in the south, between 38 and 44 degrees in the midsection and southeast of the country, between 35 and 42 degrees in the north, and between 28 and 33 degrees along the northern Atlantic coast.

Temperatures will return to normal beginning next Friday.

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International Photography Festival in Chefchaouen

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Chefchaouen's 3rd International Festival of Photography takes place from the 12th to 14th of June 

This cultural event will focus on "natural landscapes," said the association via Chaouen Online, and promised "a rich and varied programme" with the organisation of exhibitions and artistic performances as well as animation.

As Morocco's top photographic festival, it brings together artists, academics, curators, students, amateurs and professionals with the aim of encouraging the public to celebrate the art of photography.

AHMED BEN AMINE EL ALAMI Director of Festival

The Festival is a three-day international gathering that celebrates photography as an art. The festival’s philosophy is to bring photography to the people, to define what good photography is and to give photography strength as a means of communication. Other arts have always been a source of inspiration and knowledge for photography and in combination with world events, philosophy and cultural expressions, photography has become what it is today.

The festival focus is on "natural landscapes"


PROGRAMME
Friday, June 12th.

09H00 - 11Hoo : Photography Workshop "basic principles" for children.
11H00 -13H00 : Children's marathon of photography, Photo- walk in the old city.
20H30 - 23H00 :The opening ceremony of the third session of the festival & opening of the official exhibition

Saturday, June 13

09H30 - 11Hoo : Juan mariscal THE NEW METHOD TO SEE PHOTO INSTANT FOCUSED ON THE PICTURE By SMARTPHONE.
11H15 -12H30 : Ciuco -Juan Zamora landscape with editorial.
13H00 - 14H30 : Selma d. Acosta SPOILER ON THE FUTURE OF THE SPANISH PHOTOGRAPHY
16H30 - 18Hoo : Alberto yagüe POST PRODUCTION PHOTOS IN HIGH QUALITY.
18H30 - 20Hoo : Rebeca Saray PRODUCTION PHOTO IN HIGH QUALITY.
20H15 - 20H40 : Break
22H30 - 00H00 : Artistic night

Sunday June 14

09H00 - 12Hoo : Photo walk in Chefchaouen city.
14H45 -15H45 : Omar Rahmouni Workshop on "image processing techniques by Photoshop cc".
16H15 -17H30 : Round table on the topic " Prospects of photography for Mediterranean countries".
20H30 - 23H00 :Chefchaouen Intenational Festival of Photography closing ceremony.

Chefchaouen is a photographers dream

Festival Office: Moulay Abdel Salam Street, Chefchaouen, 91000
Phone: +212 (0) 626 98 16 16
Fax: +212 (0) 539 98 99 80

For any enquiries about Chefchaouen Intenational Festival of Photography, please contact - info@festivalphotography.ma


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Moroccan Photo of the Day

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Today's Moroccan Photo of the Day is by Gerard Chemit

Fez at the end of the day (click image to enlarge)


See more in our series Photo of the Day 

The View from Fez welcomes contributions to our Photo of the Day Series

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Sefrou's Cherry Festival ~ A Warning for Visitors

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Local Moroccans and visitors alike are reporting a cynical fund raising scam by Sefrou authorities. Visitors' cars, parked legally, are being towed away and police are demanding as much as 400 dirhams to release them

The View from Fez, in Sefrou to report and promote the Cherry Festival, was also caught in the scam. After parking in their usual spot where there were no signs indicating that parking was forbidden, they returned to find their car gone. There was no apology from the police who instead demanded a fine.

According to several reports, a mobile "no parking" sign is placed beside a car, then a police photo is taken "proving" the infringement. Complaints to the local police about the behaviour were ignored.

When asking why there were no police informing people not to park, a police spokesperson from the Sefrou Commissariat replied "He was probably on his lunch break or at the toilet".

Local people are happy to welcome visitors to Sefrou, but say they are unhappy that the parking scam is souring the experience and reflecting badly on their beautiful, normally friendly town.


The Cherry Festival continues tomorrow and is worth a visit but the parking scam is a bad move by the local authorities, who should be assisting visitors to park, not using them as revenue raising.

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Sunday Feature ~ The Power of Amazigh Women

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Earlier this year El Houssaine Naaim wrote a fascinating article on women in Amazigh (Berber) society. Our Sunday Feature is an edited version of his piece. It first appeared on Morocco World News


Historically, women have been accorded varying levels of respect in different historical periods and different cultures and religions. In the pre-Islamic world, for example, women were considered second class human beings, symbols of shame and stigma, and female babies were often buried alive.

In the western world, women were considered to be witches - “Women are closer to the devil than to holy water.” In some Asian societies, women have been considered a symbol of bad luck. As one Korean saying goes, “If you don’t beat your woman for three days, she becomes a fox.”

In contrast to these societies and cultures,  Amazigh women have played outstanding leadership roles including as military leaders, spiritual mothers, and even more significantly as one of the Amazigh gods.

Amazigh Civilisation- A School on How to Treat Women


Women in the parts of North Africa originally inhabited by Amazigh people (Berbers) were called Tamghart  which is equivalent to the word “president” in English. The brother and sister concepts literally belong to the mother and not to the father. For example, Amazigh people say Ot-Mma (for Sister) or Og-Mma (for Brother) meaning she belongs to my mom or he belongs to my mom respectively.

Women were never accorded a low status in Amazigh society and throughout history were always responsible for the management of economic, social, cultural, or even religious matters.

Three examples of Amazigh women are illustrative of the status of women in Amazigh history: Tanit,Dihya, and Tin-Hinan.

In contrast to many societies in the world, women were venerated not just as ordinary human beings, but also as goddesses. Amazigh people in Carthage, now Tunisia, around 400 BC worshipped a woman, named Tanit. She was considered the goddess of prosperity, fertility, love, and the moon.

Historians note that the Amazigh military practiced certain rituals in her honour. They believe that the name of present day Tunisia and the Greek historic city Athens were named after her.

Tanit is evident in Amazigh culture and legends through antiques, statues, amulets, monuments, mosaics, as well as Amazigh ornaments.

The symbol of Tanit

The famous symbol that refers to Tanit is a triangle (sometimes trapezoid) topped with a circle separating the two forms with a horizontal line. The triangle depicted the goddess as a very simple woman.

Tin-Hinan or Tamnugalt as she is called by the native Amazigh in Azawad and surrounding regions (Mali, Nigeria, Libya and Algeria) means in Tamazight “she of the tents” and “president” She was considered the spiritual mother of the Touareg tribes. Thus, the name Tin-Hinan is interpreted as “mother of the tribe” or “queen of the camp.”

Tin-Hinan played a great role in protecting her tribes as she was always considered the symbol of social, political, and spiritual stability of Touareg tribes.

Tin-Hinan 

According to some historians Tin-Hinan was believed to have come from the Tafilalt oasis in the Atlas Mountains in Morocco.  She was accompanied by a maidservant named Takamat. The pair were searching for an adequate place to settle down where there was water and safety.

The body of the queen Tin-Hinan is currently in the Bardo Museum in Algiers.

 Tin-Hinan legends have inspired art and jewellery 

Besides the goddess Tanit and the spiritual mother Tin-Hinan, Amazigh people were led by female military leaders in the 7th century in Numidia which is present day Morocco, Algeria, Tunisia, and Libya.

The military leader who marked the history of the Amazigh in North Africa was Dihiya, or Damya or Tihiya, different versions of the same name, all of which literally mean “beautiful.” She lived in 585 - 712 AD. She led several battles against the Romans and Arabs during the 7th century.


The historian Al Morakochi Ibn Idhari said about her that “All those who lived in the Africa of Romans (at that time) were afraid of her, as all Amazigh people were obedient to her.”

Dihya had defeated the invaders of North Africa on many occasions including the Romans, the Byzantines, and the Arabs. The last battle that she led occurred between her and the Arab leader Hassan ben Nouman who was first defeated and withdrew from the battle in 693 AD. She was called “Kahina” by Arabs as she was accused of sorcery.

Afterward, Dihya did not punish or kill the captives soldiers of  Hassan ben Nouman. Instead, she released them and in one case even adopted a prisoner who she thought kind with good manners which resembled the nature of the Amazigh people.

The historian Ibnu Al-hakam, in his book Kitab Futuh Misr wa Alamghreb, says that “Dihya treated her captives well, and released them, except for a man from Bani Abbas, named Khalid Benu Yazid, whom she adopted.

The Dihya legend has been retold in art and novels

Dihya defended her region by adopting the policy of "scorched earth" - burning anything of use to the Arabs.  Dihya said that “The Arabs want our country for gold, silver, and metal, but for us, farms and pastures are enough. We have no solution but destroying the land of Africa (North Africa), so that Arabs would despair and lose hope and leave forever.”
Dihya, the Amazigh knight who marked history unlike any other woman, she rode horses and sought among the folk from the Aures to Tripoli, taking arms to defend her ancestral land.” – Ibn Khaldun
Dihya was buried in Khenchela, a city in modern Algeria.

Tanit, Tin-Hanan, and Dihya are just a few examples of Amazigh women who brought pride to Amazigh society and contributed to its civilisation, a fact unfortunately neglected by official institutions in North African countries.

Amazigh girl - with an eye on the future

Women have always been an important member in Amazigh families and societies at large. Thus, there are still tribes which pay tribute to Amazigh female saints called lella, a term used to venerate and honour people with a high reputation.

NOTE: The 11th Festival of Amazigh Culture ~ takes place in Fez between the 24th and 26th of July You can find out more and read the provisional programme here: Amazigh Festival 2015

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Fes Festival ~ Has the Magic Gone?

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Peter Culshaw is a Fez Festival veteran and much respected music journalist. Peter Culshaw recorded his thoughts about the Fez festival of World Sacred Music on The Arts Desk - a highly regarded online arts site. With his permission, we repost his article. (A link to the original article is at the bottom of the story.)

theartsdesk in Fes: Has the magic gone?
The top world music festival reinvents itself with an Africa theme

Fatoumata Diawara: Under the Barbary Oak

More than anywhere else, the Fes Festival of World Sacred Music has been the place where I have gone annually for most of the last 20 years to retune my ears, to get inspiration, and to discover new international music. For fans, it was always more than a mere music festival; there was a visionary, idealistic element. The founder, Faouzi Skali, is a Sufi who started the festival as a response to the first Gulf war and invited musicians, thinkers and practitioners from all religious persuasions as a counterpoint to extremism and intolerance elsewhere. That mission’s importance grew post-9/11 and continues to expand with the madness of ISIS and their psychotic ilk.

Fes itself is in many ways the star of the show – the ancient medina with the winding car-free streets, the call of the muezzin, the circling swallows in the Bab Boujloud at sunset. Last year Skali and many of his associates were pushed out and so the big question for fans of the festival centred on how it was being remade, and would the idealistic elements remain? Skali, incidentally, still runs an impressive Sufi festival in Fes earlier in the year.

"No mention of Skali ... at best a faux pas, at worst rude and ungrateful"

The printed programme was a disappointment – no mention of what many people see as the heart of the festival: the Sufi nights where followers of the local Sufi brotherhoods perform outside, very late, in Dar Tazi; no mention of the Festival of the City, which are the free concerts in Bab Boujloud (the big concerts are very expensive for most ordinary locals); and no mention of Skali himself, which seemed at best a faux pas, at worst rude and ungrateful. Fortunately, the excellent local blog The View from Fezkept us up to speed with the programme.

One great thing about Fes is the characters you meet, which illustrates the sheer strangeness of the place

I arrived in a unseasonal, torrential rainstorm and that night's concert of the always feisty Oumou Sangare from Mali was cancelled. But the following day I saw three top-notch shows which assuaged fears that the musical level might have gone down. There was an extraordinary and moving ritual in the medina from Burkina Faso called Masks of the Moon, like some Peter Brook 1970s avant-garde production, but centuries old and compelling both visually and musically.

"Masks of the Moon, like some Peter Brook 1970s avant-garde production"

There was a performance of Cuban pianist Omar Sosa and a wonderful, expressive dancer called Tamango with percussionist Gustavo Ovalles. Sosa is a consummate pianist who has musicality oozing out of every pore and the result was both plugged into the past in its use of Santería sacred rhythms of Cuba and modern in its presentation, with impressive video projections under the famous massive barbary oak in Musée Batha.

There was a curious but satisfying collaboration between Indian slide guitarist Debashish Bhattacharya and African kora maestro Ballaké Sissoko, both of them doing music that originated in the 13th century on different continents. These were all in the Nights In the Medina strand, which was like a delicious tapas miscellany of musics.

The music director of the festival, Alain Weber, did mention that he felt “less constrained” under the new regime and it is likely that the above selection would have been impossible in earlier years – notably the mix of dance and video projection. I went off the main programme to get my musical kicks for much of the rest of the week. Instead of seeing what were billed as US soul legends The Temptations (actually, the splinter group The Temptations Review featuring Dennis Edwards, who joined the real line-up in 1968) I ended up seeing a fabulous group from the disputed territory of Western Sahara fronted by the charismatic figure of Saida Charaf, who dominated the stage in front of thousands of revellers in Bab Boujloud.

Saida Charaf

The theme of this year’s festival was Africa and Morocco’s relationship to it, but there wasn’t any gnaoua music, that most African of Moroccan of forms developed by slaves (a painful issue in itself not mentioned much at the morning discussion forum, I am told) who came over the Sahara, so I jumped at the chance of attending an all-night lila, or healing ceremony, in the medina. The close-up funk-spiritual rhythms at Casa Zohra were thrilling but I bailed out at 4am after a traditional harira soup. I’m not necessarily blaming the soup, but I was sick the next day and only recovered after two days, and this may have flavoured my perception of the rest of the festival.

One great thing about Fes is the characters you meet, which illustrates the sheer strangeness of the place. One local guy told me how he had had a nervous breakdown and the only way out was to invent his own religion based around birds. For three months he drank bottles of water with bird feathers in as a successful cure. One could do a whole book on such characters found in Fes and their stories.

Without Faouzi Skali and some of his friends and acolytes the festival normally attracts – the Sufi leaders, the social activists, the visionary academics – the audience seemed to consist more than previously of curious tourists. Some of the music, excellent enough, such as the collaboration between Cuban pianist Roberto Fonseca and Malian singer Fatoumata Diawara, was the type of thing you can see at the Barbican and WOMAD and perhaps it’s too early to tell with the new set-up, but there was a feeling that the festival might be morphing into a superior world music festival, with some of the old soul or magic missing. I imagine this is a familiar refrain from those who went to the early Glastonbury, Burning Man or Festivals in the Desert (“you should have been there in the early years”), even if most newcomers think they are still impressive events.

The last night was exceptional with the Hamdouchiya Sufis

Although not advertised fully, the Sufi nights at Dar Tazi were on. The highlights were the wonderful Said Guissi, who takes traditional Aissawa music – described by one visitor in the 1920s as “a tempest of oboes and drums” – into a new place. I think of him as a kind of Miles Davis of old-style Moroccan trance music. The last night, too, was exceptional with a Hamdouchiya group featuring, unusually, a female singer and a couple of European interlopers who performed wild, off-kilter trance music to great acclaim.

The last night went out with a bang and was easily the most popular, with waiters begging me to get them in to the Emirati singer Hussain Al Jassmi, who charmed the overcrowded Bab Makina, where the old Palace walls were decorated effectively this year with gorgeous light projections. With a 20-odd piece band, he won over the local upper-middle classes (the women mainly turning up in heels and skirts as opposed to headscarfs). His big hit seemed to be “Habibi Bashaloni” about a lover who supports Barcelona football team, who will be celebrating the result of the Champions League final, no doubt.

Peter is a music and arts broadcaster and has written for the Observer, Guardian, Daily Telegraph and Songlines, among others in the UK and internationally. He has written a recently published book Clandestino: In Search Of Manu Chao published by Serpent's Tail and has produced and compiled numerous CDs. He was a founding Director of theartsdesk, and is co-editor of the New Music section.

See the original article here: Arts Desk

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Tragedy at Bouznika Beach - 11 Children Drown

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Eleven children were swept away today at the Bouznika beach.The Le360 website reports that five bodies were recovered and a search is ongoing to find the others



The victims, believed to be between 12 and 17 years of age, were swept away by a violent wave while they were trying to swim at the beach near Oued Cherrate not far from Rabat.

The children are believed to be part of a forty-six member Taekwondo club from Benslimane who had headed to the beach for relief from the very hot weather. Some children were rescued and admitted to hospital. According to some accounts, two helicopters were quickly on the scene to locate other missing children.

An investigation was opened into the incident under the supervision of the competent prosecutor and the Interior Minister went on site to oversee the search and rescue operations


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Sufi Music for Syria Concert - Wednesday in Fez

Morocco's Daylight Saving Stops For Ramadan

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As usual during Ramadan, Moroccans switch their watches and clocks back one hour to standard time (GMT) starting from next Sunday June 14.

According to a statement announced by the Ministry of Public Service and Modernisation, clocks revert by 60 minutes on Sunday, June 14, at 3:00 a.m. Daylight saving returns after Ramadan on Sunday 19 July at 2:00 a.m.

Incidentally all public administration offices will be open from 9:00 a.m till 3:00 p.m. during Ramadan


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Theatre Night in Fez ~ Eyes of the Universe


Twelve year old "miracle girl" found alive after floating for 24 hours

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Twelve year old Ikram is being described as a miracle girls for surviving in the ocean for 24 hours after being swept out to sea in Oued Cherrat  The girl was found alive Monday after being spotted by Moroccan police searching the area for bodies of children who drowned on Sunday

Miraculously, Ikram floated on the surface of the water, says a media source, adding that the girl was immediately evacuated to Rabat Avicenne hospital to receive the necessary care.

On Wednesday, the body of a 15 year old was found on the beach in Skhirat  bringing the death toll to eight. The body of the driver, drowned after saving two children, was also found Wednesday.

Despite the fact that the children's coach, Mustapha Amrani, president of the sports association, has been detained, the victims' families refuse press for compensation. The man is esteemed by parents and children and involved personally in their education. He has always been very concerned about their future, says a source in Benslimane.

Amrani rescued several children from drowning. Today, the families of the victims said the responsibility lies with local authorities for not having placed  a sign to prevent access to the beach or having lifeguards to monitor swimmers.

The coach, who refuses to eat since his detention, was evacuated today to Temara hospital, where he is in intensive care. The man could be prosecuted for manslaughter.

The tragedy occurred early Sunday afternoon when the children from the town of Benslimane were on an unguarded beach at Oued Cherrat.

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Oulidia ~ More Than Just Great Oysters

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Oulidia, on Morocco's Atlantic coastline, is famous for its oysters. It also has a reputation as one of the cleanest, most family friendly seaside towns in the country. The View From Fez investigates...

Prices of oysters vary widely - shop around

It is almost impossible to avoid oysters when visiting Oulidia. Not only are they on the menu of every restaurant, but cruise the waterfront and a dozen oyster salesmen will appear, shuck the oysters and pass them through the car window.

If you have rented an apartment, it is likely that a fishmonger on a scooter will appear each morning at your door with reasonably priced fish. They will also hunt out particular fish or prawns for you and deliver them the following day.

There are a number of good restaurants such as the Issa Blanca, and Ostrea II.  The Ostrea II is a well known stop for tourists and their oysters were delicious but expensive. However, their avocado and prawn salad was bland and based on frozen rather than fresh seafood.

For ambiance, price and an extensive menu you can't go past the L'initiale. The Paella Royale for two is a real treat and packed with fresh seafood. Their oysters were also considerably cheaper than the Ostrea II and Issa Blanca.  L'initiale also serves a low priced and delicious breakfast.

L'initiale - friendly staff, and reasonably priced seafood.

Since The View From Fez first visited Oulidia around nine years ago, the town has undergone a face-lift and a great deal of development. Villas and apartments have sprung up, which now cover most of the hillside facing the lagoon.

Unlike other Moroccan seaside towns, there has been a conscious effort to keep new buildings low rise. Their style is in sympathy with the original Art Deco and Modernist beach houses, which line the streets adjacent to the beaches.

While the town is relatively quiet for much of the year, the holiday season following Ramadan sees the town packed with visitors. At this time, booking an apartment in advance is recommended. For those without a booking, locals waving sets of keys are happy to show you apartments for short term rent.


Oulidia is also home to a wide range of birds and ornithologists will find many different species in the wetlands and surrounding areas. Taking a boat ride around the lagoon is also a way of getting close up to the cormorants, falcons, herons and wading birds of the region.

Exploring the lagoon by boat is inexpensive and enjoyable

One of the most pleasing developments in Oulidia is the culture of civic pride in the cleanliness of the town and its beaches. Every morning sees teams of workers scouring the dunes and beaches collecting rubbish.  There are rubbish bins everywhere, which are regularly emptied. It is wonderful to see that, unlike at many Moroccan beaches, visitors actively collect their rubbish and deposit it in the bins.

Local boat operator, Hamid, complains that much of the plastic rubbish washed up on the Oulidia beaches comes from other places. "They all need to clean up like we do," he says.


Oulidia is one of 23 beaches in Morocco that have been awarded the "Blue Flag" environmental designation.

The beaches and dunes are remarkably free of rubbish

There are plenty of  amenities for beach lovers, ranging from small paddle boats through to dune buggies which, though noisy, are restricted to an outlying  area, away from the family beaches around the lagoon. Intrusive jet-skis are also thankfully prohibited at the main beaches.

For fishing enthusiasts, rock fishing is very popular, though caution needs to be taken as occasional large waves can be dangerous.


 Navigation tip: while all the local signs say "Oulidia", many GPS maps have the spelling "Loulidia".


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Harvesting Fog in Morocco

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Mist nets for harvesting water from fog have been around for a while and now the technology has come to Morocco. The results are impressive and have changed the lives of the inhabitants of five villages in the southwest of the country, who no longer have to travel several kilometres each day to fetch water.


At 1,225 meters above sea level, on the mountain overlooking Boutmezguida, five villages in the region of Sidi Ifni have installed forty huge nets to take advantage of fog. A fog fence or fog collector is an apparatus for collecting liquid water from fog, using a fine mesh or array of parallel wires. They trap the water droplets, which are then processed, mixed with well water and transported via pipelines to the villagers.

"In a region with semi-arid climate, having water by opening a simple tap is a revolution," says Aissa Derhem, president of the association Dar Si Hmad for Development, Education and Culture.

A Douar Id Achour, one of five communities served, women and children previously lost four hours a day on average to make round trips to retrieve well water.

"I filled two 20 litre four times in the day. But these 160 litres were sufficient not even us, because we have cattle! "says Massouda Boukhalfa, 47.

Mist nets in Chile

"Reaping the fog", has been used for more than twenty years in Chile, in the Andes. Developed by the NGO Fog Quest, which has already tested prototypes in several countries (Guatemala, Peru, Namibia, in particular), this is the first use in North Africa.

Symbolically, the water flow in Morocco began for the first time on March 21, World Water Day. Since then  92 homes and nearly 400 people have received running water to their homes.

"Morocco has a lot of fog due to three factors: the presence of an anticyclone, the Azores, a cold sea current and the obstacle represented by the mountain," says Derhem. "It's environmentally friendly and it helps preserve the water table in the region, which we were emptying."

The Dar If Hmad Association now wants to equip the surrounding villages and replace existing nets with new models capable of withstanding winds of 120 km /h.

The nets were built in Morocco with the help of a German foundation.

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The Worlds Most Exclusive Music Festival? Rolling Stone Thinks so!

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Horn squeals and drum taps puncture the silence, come faster and gradually knit into melody and rhythm. A yowl of high-pitched ghaita horns pierces the air, reverberating from every direction, despite the lack of walls. Five different kinds of drums thunder into a rhythm, then syncopate and alternate, creating layers of polyrhythms. ~ Suzanne Gerber 


Each year in Morocco, "4,000-year-old rock & roll band" the Master Musicians of Joujouka throw a three-day tribal trance festival – for 50 lucky travellers. The music played in the village is said to date back to the 15th century, when the Sufi saint Sidi Ahmed Schiech arrived and taught the Masters' ancestors music which could heal. Today's group of Master Musicians are blessed with the Baraka or spirit of their saint, who is buried in the village. In 2011 the group travelled to England to perform on the main Pyramid stage at Glastonbury. For the annual festival in Joujouka visitors spend three days with the Musicians in their homes Suzanne Gerber was there for Rolling Stone

As Joujouka's musical tradition has evolved from its tribal roots into an international concern, two factions have emerged who call themselves the Master Musicians. One group, led by Bachir Attar, whose father was the leader during the Jones era and who no longer resides in the village, has spent decades blocking the efforts of the local contingent (currently led by the bass drummer Ahmed el Attar) to call themselves the Masters and perform as such. It's been challenging for them, but ironically, has led to greater exposure and acclaim.

organiser Frank Rynne with musicians

As organiser Frank Rynne puts it in his unmistakable brogue, "The festival began to give the Master Musicians of Joujouka a voice and a place where they could show people that they were truly the masters of their village and their music. For their own community, it shows the younger generation that there is a future in the music, as each year people come from across the world and show devotion to their parents' playing, culture and hospitality. And they want it to continue. They feel this music in their hearts; it's in their blood."

Mohamed Hatmi - "Boujeloud"

Then there's Boujeloud, a Pan-like half-goat man who's known throughout Morocco, and who, according to myth, gave the gift of flute music to the master musicians. Every spring, he would come out of his cave and dance during the "feast week" that honored the Sufi saint, and bring fertility. The man who's played this shamanic role for the past 47 years is an unassuming villager named Mohamed Hatmi. If you passed him on the dirt road, you might dismiss him as a simple man with little opportunity for self-expression. You would be very, very wrong.

"...the ghaitas are thrusting you forward..."

The more you listen, the better able you are to pick out something like melody from the seven ghaitas, and if you really focus, you can start to follow some of the pounding polyrhythms. But then the horn leader imperceptibly signals a change, and everything shifts. Is this the same song about the mountain girl? Or have we segued into a number about spiritual devotion? Or is this the cautionary tale about too much hash, a fat wife and three kids you've never met?

No matter: You're back in the hive, and your only job is to unhinge your hips and follow the footwork of the teenage boy you're no doubt dancing with. All the while, the ghaitas are thrusting you forward. The percussion is pounding inside you. Sweaty? Exhausted? Dance on. Later, much later, you can sleep and dream, then wake up and do it all over again.


I ask Rynne why he puts on the festival. "Once it started it can't be stopped," he says. "Each year is unique, a different set of people, a new energy, and the Masters feed off that. By organizing the festival, I get to hear three days of the greatest trance music played live, and no two performances are the same. The only thing each year guarantees," he concludes with an exhausted half-smile, "is that the Master Musicians of Joujouka will push it a notch more intense than the one before."

Read the full article:  RollingStone

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Fez Fashion Day 2015

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Fes Fashion Day, now in its third year, once again created a surreal experience by bringing modern women’s fashion, with cleavage, exposed legs, bare shoulders and figure-hugging forms to a place that is almost anti-fashion - clothing in the Medina of Fez is usually of the djellaba variety, often with flannel pyjamas peeking out from underneath. Vanessa Bonnin reports for The View From Fez...

Anan Sorsutham's creations

The Fes Fashion day was sponsored by the French Institute. Unsurprisingly the crowd was made up of many of the ex-patriot Fez community with attendees reading like a who’s who of Fez: Megumi Matsubara, photographer and artist; Rebecca Raft of Bouvier Jewellery; Tara Stevens and Rebecca Eve of Anajam homewares; event sponsor Guillame Binder of Hotel Sahrai; Cathy Bellafronto of Riad Laaroussa; Kleo Brunn of Dar Attajalli; Ibrahim and Ilmira Tidjani of the Sufi Brotherhood; radiant Huda Sey fresh off the plane from Paris with her just wed husband; and the Austrian embassy contingent, with Ambassador Wolfgang Angerholzer, his incredibly elegant wife Susanne and Claudia Schneeweiss.

Kleo Brunn of Dar Attajalli and Cathy Bellafronto of Riad Laaroussa
Austrian Ambassador Susanne Angerholzer and Huda Sey (wearing Moi Anan) of the American Fondouk

The Austrians were there to support their compatriot Juergen Christian Hoerl, who designed the dress worn by Eurovision 2014 winner Conchita Wurst. “We are really proud of him, he’s an upcoming star,” said Claudia Schneeweiss. “And did you know that the top covered with Swarovski crystals cost 40,000 euros?!”

The Fassi contingent seemed to be fans of Moi Anan, with two attendees wearing pieces from his last collection to the show. Anan Sorsutham, originally from Thailand but now living in Fez, has worked his way into the hearts of the locals through their stomachs, since opening his fashion boutique plus Thai restaurant in the Medina last year.

Outfit by popular designer Anan Sorsutham delivered a splash of colour

Anan said that combining his two careers, fashion and cooking, has created new ideas for his current collection. “For this collection I was inspired by fish, and especially the gills of the fish,” he explained. “When I am cooking, I found that the gills are beautiful so that was my inspiration. The other thing is with the draping, I wanted it to flow as in water, so the curves are like water - so all of this, the fish, the gills, the water was my inspiration.”

The Moi Anan collection opened the show, with a soundtrack that was also created by the designer - sounds of water pouring, splashing and waves breaking on a pebbled beach were melded with a breathing sound, exactly as a fish would breath under water through its gills.

Anan's beautifully tailored Thai silks

The clothes were beautifully tailored and made use of his trademark Thai silks, which were gathered and ruffled into fan shapes, and draped into soft folds.

“I liked the collection very much, the textiles, the draping,” said Susanne Angerholzer, "I loved the black one but one has to be very tall to look good in that! But as you could hear, there was a water element to the collection and I think the dresses reflected that perfectly.”


The second collection was by Elegance Feminine, a label created by two Moroccan women, Kaoutar and Hanane Maouhoub. It was nice to see some clothing for women actually designed by women and the Moroccan models seemed more relaxed and happy in these more traditional kaftans and dresses, featuring intricate embroidery and lots of sequins. That is not to say that there weren’t some risqué elements, with flashes of thigh and one dress that had a sheer black lace panel at the back of the skirt, allowing a glimpse of, well, everything!

“Those dresses were beautiful, they looked like princesses!” said Kleo Brunn. "The setting here, in the ornate Dar Batha, really suits the kaftans. Otherwise it is rather bizarre to be at a fashion show in the Medina of Fez!”

Ali Drissi designs in blue 

Ali Drissi’s show was next, and started out well with soundtrack that woke up the crowd and a striking collection that was all in blue. Three pieces that reworked the classic blue and white stripe nautical chic were wonderful and very wearable. He should have stopped there. However the music changed to classical piano and three more collections followed, one in black, one in salmon pink, one in white and a final wedding dress with gold and white Renaissance images on the skirt. There were about thirty outfits in all, ranging in style from tailored and edgy to ruffled and girly, and some impressive shoes thrown in as well. However it all became a bit of a blur with the confusing mix of styles and the consensus afterwards was that he should have stuck to one theme and edited the clothes extensively.

Ali Drissi’s  wedding dress detail

By this stage, the crowd was getting restless. As the same models were used for each designer, there were long gaps in-between the individual shows to allow time for clothes changing and re-styling. Some people left half way through, others used the intervals to catch up on gossip and exchange styling tips. In future if proceedings are going to be extend this way it would be prudent to serve people refreshments to save them from flagging. The number of outfits should also be restricted, as the final collection was also overly long and left many reeling from fashion fatigue.


Jurgen Christian Hoerl of JCHOERL, put on another extended runway show, featuring over thirty different ensembles that could have used some streamlining. There were some stand-out pieces, with sexy jumpsuits, structured shirts, leather dresses and fun, full-skirted numbers however there were also some underwhelming outfits and odd fabrics that didn’t seem to fall within a coherent theme for a collection. That said, he provided the biggest wow moment of the evening, not with the 40,000 euros crystal encrusted top, but with a minimal outfit of a sheer black skirt worn over a leotard with killer heels that would get you mobbed if worn in the Medina streets!

Wow moment - with killer heels upstaged the 40,000 Euro top (below)

Tara Stevens, of contemporary Moroccan homewares label Anajam, seemed to think it was a hometown win for adopted Fassi label Moi Anan. “The other designers needed a much tighter edit,” she said. “Anan was most interesting, his is an architectural and sculptural look which may appear difficult to wear but once you try it on it’s quite forgiving for normal body shapes as the structure covers a multitude of sins! He’s really working for the people and making wearable clothing which I’d like to see more of in fashion - huge congratulations to Anan, more designers should take a leaf out of his book.”

Until next year! Now for the Fassi fashionistas, it’s back to the djellaba…


Photos and text: Vanessa Bonnin
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